VLADIMIR DE PACHMANN WELTE-MIGNON PIANO ROLLS 2 CDR

 

VLADIMIR VON PACHMANN OR PACHMAN (ODESSA, UKRAINE 27 JULY 1848 – ROME, ITALY 6 JANUARY 1933)

 

 

 

 

Vladimir von Pachmann or Pachman was a pianist of Russian-German ethnicity, especially noted for performing the works of Chopin, and also for his eccentric on-stage style. Pachmann was born in Odessa, Ukraine as Vladimir Pachmann. The von or later de as a nobiliary particle was most probably added to his name by himself. Three of his brothers serving as officers in the Imperial Russian Army did not use the particle, as might be expected. His father was a professor at the University of Odessa and a celebrated amateur violinist who had met Beethoven, Weber and other notable composers in Vienna. He was his son's only teacher until he turned 18, at which time he went to Vienna to study music at the Vienna Conservatory, studying piano with Josef Dachs (a pupil of Carl Czerny) and theory with Anton Bruckner. He gained the Conservatory's Gold Medal and made his concert debut in Odessa in 1869, but until 1882 he appeared in public infrequently, spending his time in further study. He then toured throughout Europe and the United States, and was acclaimed as a top player of his era. His programmes consisted almost exclusively of the works of Chopin, with only an occasional movement by Bach, Scarlatti, Mendelssohn or Henselt. In Denmark he was appointed a Knight of the Order of the Dannebrog. Pachmann was one of the earliest to make recordings of his work, beginning in 1906 with recordings for the Welte-Mignon reproducing piano and in 1907 for the gramophone. He was also famous for gestures, muttering, and addressing the audience during his performance. In April 1884 Pachmann married the Australian-born British pianist Maggie Okey (Annie Louisa Margaret Okey, 1865–1952), who was later known as Marguérite de Pachmann. They did concert tours of Europe together and had three sons – Victor, who died in infancy, Adriano and Leonide (called Lionel). The marriage ended after seven years. Vladimir de Pachmann died in Rome in 1933, aged 84.

 

 

TRACKLIST

  

 

1. Ballade In A Flat Major (Chopin) Welte-Mignon 7227

2. Impromptu In Flat Major Op. 36 (Chopin) Welte-Mignon 7204

3. 4. 5. Italian Concerto In F Major (Bach) 1st 2nd 3rd Movements Welte-Mignon 7244, 7245, 7246

6. Mazurka In A Flat Major Op. 50 No. 2 (Chopin) Welte-Mignon 7206

7. Mazurka in A Minor Op. 67 No. 4 (Chopin) Welte-Mignon 1222

8. Mazurka In C Major Op. 56 No. 2 (Chopin) Welte-Mignon 1221

9. Minute Waltz In D Flat Major Op. 64 No. 1 (Chopin) Welte-Mignon 1220

10. Moment Musical In F Minor Op. 94 No. 3 (Schubert) Welte-Mignon 1211

11. Nocturne In B Minor Op. 32 No. 1 (Chopin) Welte-Mignon 7263

12. Nocturne in C Sharp Minor Op. 27 No. 1 (Chopin) Welte-Mignon 7202

13. Prelude In F Major Op. 28 No. 23 (Chopin) Welte-Mignon 1214

14. Rigoletto Paraphrase (Verdi - Liszt) Welte-Mignon 7201

15. Rondo A La Turk K.331 (Mozart) Welte-Mignon 1206

16. Songs Without Words No. 25 In G Major Op. 62 No. 1 (Mendelssohn) Welte-Mignon 1209

17. Waltz In C Sharp Minor Op. 64 No. 2 (Chopin) Welte-Mignon 7209

18. Waltz In F Major Op. 34 No. 3 (Chopin) Welte-Mignon 7228

VLADIMIR DE PACHMANN WELTE-MIGNON PIANO ROLLS 2 CDR

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WANDA LANDOWSKA WELTE-MIGNON AND DUO-ART PIANO ROLLS CDR

 

WANDA LOUISE LANDOWSKA (JULY 5, 1879, WARSAW, POL., RUSSIAN EMPIRE — AUG. 16, 1959, LAKEVILLE, CONN., U.S.)

 

 

 

Polish-born harpsichordist who helped initiate the revival of the harpsichord in the 20th century. Landowska studied composition in Berlin in 1896, and in 1900 she went to Paris. There, influenced by her husband, Henry Lew, an authority on folklore, she researched early music and keyboard instruments. She taught at the Schola Cantorum (established 1894), first played the harpsichord in public in 1903, and in 1909 published, with her husband, Musique ancienne, a study of 17th- and 18th-century music. She remained until the beginning of World War II the principal exponent of 17th- and 18th-century harpsichord music, particularly that of Johann Sebastian Bach and François Couperin, on whose works she wrote several studies. In 1925 she founded a school for the study of early music at Saint-Leu-La-Forêt, near Paris, and in 1941 settled in the United States. Among the modern works she inspired were the harpsichord concerti of Manuel de Falla and Francis Poulenc. Her collected writings may be found in Landowska on Music (1965; edited by Denise Restout).

 

 

TRACKLIST

 

 

1. 962 WELTE-MIGNON SCHUBERT-LANDOWSKA - Walzerkette (Chain of Waltzes)

2. 963 WELTE-MIGNON CHOPIN - Waltz, Op. 64, No. 1, Db “Minute”

3. 964 WELTE-MIGNON CHOPIN - Waltz, Op. 69, No. 2, b

4. 965 WELTE-MIGNON BERLIOZ-LANDOWSKA - Danse des sylphs fr “La Damnation de Faust”

WANDA LANDOWSKA WELTE-MIGNON AND DUO-ART PIANO ROLLS CDR

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OLGA SAMAROFF WELTE-MIGNON PIANO ROLLS CDR

 

OLGA SAMAROFF (SAN ANTONIO, TEXAS, AUGUST 8, 1880 – NEW YORK, MAY 17, 1948)

 

 

 

  

Samaroff was born Lucy Mary Olga Agnes Hickenlooper in San Antonio, Texas, and grew up in Galveston, where her family owned a business later wiped out in the 1900 Galveston hurricane. After her talent for the piano was discovered, she was sent to Europe to study, since at that time there were no great piano teachers in the United States. She first studied with Antoine François Marmontel and Alkan's son, Élie-Miriam Delaborde at the Conservatoire de Paris and later with Ernst Jedliczka in Berlin. While in Berlin, she was very briefly married to Russian engineer Boris Loutzky. After her divorce from Loutzky and the disaster which claimed her family's business, she returned to the United States and tried to carve out a career as a pianist. However, she soon discovered she was hampered both by her awkward name and her American origins. Her agent suggested a professional name change, which was taken from a remote relative. As Olga Samaroff, she self-produced her New York debut at Carnegie Hall in 1905 (the first woman ever to do so). She hired the hall, the orchestra, and conductor Walter Damrosch, and made an overwhelming impression with her performance of Tchaikovsky's Piano Concerto No. 1. She played extensively in the United States and Europe thereafter. Samaroff discovered Leopold Stokowski (1882–1977) when he was church organist at St. Bartholemew's in New York and later conductor of the Cincinnati Symphony Orchestra. She played Tchaikovsky's Piano Concerto No. 1 under Stokowski's direction when he made his official conducting debut in Paris with the Colonne Orchestra on May 12, 1909. She married Stokowski in 1911, and their daughter Sonya was born in 1921. At that time, Samaroff was much more famous than her husband and was able to lobby her contacts to get Stokowski appointed in 1912 to the vacant conductor's post at the Philadelphia Orchestra, launching his international career. Samaroff made a number of recordings in the early 1920s for the Victor Talking Machine Company. Samaroff was the second pianist in history, after Hans von Bülow, to perform all 32 Beethoven piano sonatas in public, preceding Artur Schnabel (who did the series first in 1927) by several years. German pianist Walter Gieseking would also perform the complete sonatas in public by age fifteen (circa 1910). In 1923, Samaroff and Stokowski divorced; the reasons included Stokowski's infidelity, from which she never recovered. She took refuge in her friends, among whom were George Gershwin, Irving Berlin, Dorothy Parker, and Cary Grant. In 1925, Samaroff fell in her New York apartment and suffered an injury to her shoulder. The injury forced her to retire from performing. So from that point on, she worked primarily as a critic and teacher. She also wrote for the New York Evening Post until 1928, and she gave guest lectures throughout the 1930s. Samaroff developed a course of music study for laymen and was the first music teacher to be broadcast on NBC television. She taught at the Philadelphia Conservatory and in 1924, was invited to join the faculty of the newly formed Juilliard School in New York. She taught at both schools for the rest of her life. Called "Madam" by her students, she was an advocate for them. She supplied many of her Depression-era charges with concert clothes and food. She also pressed officials at Juilliard to build a dormitory – a project that was not realized until after her death decades later. Her most famous pupil was concert pianist William Kapell, who was killed in a 1953 plane crash at age 31. She herself said that the best pianist she ever taught was the New Zealander Richard Farrell, who also died at age 31, in a motor vehicle accident in England in 1958. Samaroff published an autobiography, An American Musician's Story, in 1939. She died of a heart attack at her home in New York on the evening of May 17, 1948, after giving several lessons that day. Samaroff is related to Civil War general Andrew Hickenlooper and to Colorado Governor John Hickenlooper. In Hickenlooper's 2016 memoir, he states that the name change from Hickenlooper to Samaroff was suggested by Samaroff's cousin and Federal Judge Smith Hickenlooper.

TRACKLIST

 

 

Olga Samaroff made 10 Welte-Mignon piano rolls

1. 1472 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b  1st & 2nd mvts.

2. 1473 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b  3rd & 4th mvts.

3. 1474 WELTE-MIGNON WAGNER-LISZT - March from the Opera “Tannhäuser”

4. 1476 WELTE-MIGNON BRAHMS - Rhapsody, Op. 79, No. 2,  g

5. 1478 WELTE-MIGNON GRIEG - Piano Concerto, Op. 16, a   1st mvt.

6. 1479 WELTE-MIGNON GRIEG -”Peer Gynt” Op. 46, Nos. 1 Morning Mood; 2 Aase’s Death

7. 1480 WELTE-MIGNON GRIEG - “Peer Gynt”,Op. 46, Nos. 3 Anitra’s Dance; 4 In the Hall  Mountain King

8. 1481 WELTE-MIGNON FAURE - Impromptu No. 2, Op. 31, f

OLGA SAMAROFF WELTE-MIGNON PIANO ROLLS CDR

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THEODOR LESCHETIZKY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

 

THEODOR LESCHETIZKY, ORIGINAL NAME TEODOR LESZETYCKI (JUNE 22, 1830, ŁAŃCUT, POLAND, AUSTRIAN EMPIRE [NOW IN POLAND] — NOVEMBER 14, 1915, DRESDEN, GERMANY)

 

 

 

 

Polish pianist and teacher who, with Franz Liszt, was the most influential teacher of piano of his time. Leschetizky studied under Carl Czerny in Vienna and thus was linked indirectly with the playing of Czerny’s teacher, Ludwig van Beethoven. In 1852 he went to St. Petersburg as a pianist and teacher. From 1878 he taught in Vienna. As one of the great pianists of the Romantic era, he approached the printed note with a certain amount of freedom. As a teacher, he stressed thorough understanding of the music, absolutely sound technique, and, above all, beauty of tone. Although the celebrated “Leschetizky method” of teaching was much discussed, he himself claimed to have no fixed method, and his students affirmed that he developed the individual characteristics of each student. His pupils included many of the leading pianists of the 19th and early 20th centuries, among them Artur Schnabel, Ossip Gabrilowitsch, and Ignacy Paderewski.

 

TRACKLIST

 

 

1. 1192 WELTE-MIGNON MOZART - Fantasia, K. 396, c

2. 1193 WELTE-MIGNON HELLER - Preludes, Op. 81, No. 3, G; No. 10, c#

3. 1194 WELTE-MIGNON CHOPIN - Nocturne, Op. 27, No. 2, Db

4. 1195 WELTE-MIGNON CHOPIN - Polonaise, Op. 71, No. 2, Bb (Posthumous)

5. 1196 WELTE-MIGNON LESCHETIZKY - Barcarolle, Op. 39, No. 1, a

6. 1197 WELTE-MIGNON LESCHETIZKY - La source (The Spring) Etude, Op. 36, No. 4, A

7. 1198 WELTE-MIGNON LESCHETIZKY - Arabesque, en forme d’étude, Op. 45, No. 1, Ab

8. 1199 WELTE-MIGNON LESCHETIZKY - L’Aveu (The Secret) Op. 31, No. 1, Ab

9. 1200 WELTE-MIGNON LESCHETIZKY - Wellen und Wogen (Waves and Billows) Op. 40, #1,e

10. 1201 WELTE-MIGNON LESCHETIZKY - Mazurka, Op. 24, No. 2, Eb

11. 1202 WELTE-MIGNON LESCHETIZKY - Canzonetta Toscana, Op. 39, No. 3, f

12. 1203 WELTE-MIGNON LESCHETIZKY - Les deux alouettes (Two Larks) Op. 2, No. 1, Ab

THEODOR LESCHETIZKY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

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JOSEF PEMBAUR WELTE-MIGNON PIANO ROLLS CDR

 

JOSEF PEMBAUR (INNSBRUCK, 20 APRIL, 1875 – MUNICH, 12 OCTOBER, 1950)

 

 

 

 

Born in Innsbruck, Pembaur was the son of the composer and music director Josef Pembaur the Elder (1848–1923). He got his first musical education by his father. From 1893 until 1896, he studied piano at the Hochschule für Musik und Theater München with Ludwig Thuille, conducting with Ludwig Abel and composition and organ with Josef Gabriel Rheinberger. He was awarded a gold medal at the final examination in 1896. From 1896 to 1901, he worked as a piano teacher at the same school. In 1901/02, he continued his studies with Alfred Reisenauer at the University of Music and Theatre Leipzig, where he was employed as a teacher for higher piano playing. In 1912, he was appointed professor of music in Saxony. In 1921, he was appointed professor in Bavaria, but he returned to the Academy of Music in Munich and taught a master class for piano. His students included Anna Renfer. Pembaur also completed numerous concert tours. In Berlin he was one of the judges in the competition for the Ibach Prize. In Spring 1919, Pembaur took eight piano pieces for the Reproduktionsklavier Welte-Mignon, including two compositions by his father, probably his earliest recordings. On 29 October 1918, Thomas Mann heard him in an event with Joachim von Delbrück, who was reading from his novel Der sterbende Chopin that evening. In 1906, he married the pianist Maria Elterich, and the two of them also performed together on two pianos. Pembaur's brother Karl was a composer and choirmaster in Dresden. Pembaur died in Munich at the age of 75.

 

 

TRACKLIST

 

 

1. 3264 WELTE-MIGNON BRAHMS - Ballade, Op. 10, No. 1, d

2. 3265 WELTE-MIGNON BRAHMS - Ballade, Op. 10, No. 2, D

3. 3266 WELTE-MIGNON BRAHMS - Ballade, Op. 10, No. 3, b

4. 3267 WELTE-MIGNON BRAHMS - Ballade, Op. 10, No. 4, B

JOSEF PEMBAUR WELTE-MIGNON PIANO ROLLS CDR

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HUBERT FLOHR WELTE-MIGNON PIANO ROLLS CDR

 

HUBERT FLOHR (KOBLENZ, JULY 8, 1869 - DÜSSELDORF, JULY 13, 1940)

 

 

 

 

Flohr, whose musical talent was already evident in his early childhood, received his first lessons from his father, the high school music teacher Joseph Flohr. Lessons continued in Bonn with Johann Walbrül, a Spohr student who had settled in Bonn. Already at the age of 9 Flohr appeared as a pianist under Julius Langenbach on December 30, 1878 in Bonn's Beethoven Hall with Mozart's Piano Concerto in D minor K. 466. The child prodigy had such a success with this concert that just a month later he performed Beethoven's Piano Concerto in C major again in the Beethoven Hall under Langenbach, further concerts in the Rhineland followed. Also in 1879 the first concert tour to Belgium and the Netherlands was undertaken. At one concert, Liszt's pupil Juliusz Zarębski heard Flohr playing and offered Flohr his place in his artistic class at the Royal Conservatory in Brussels. After Zarębski's death in 1885, Hubert Flohr continued his studies at the Royal Conservatory in Liège with Étienne Ledent and at the Cologne Conservatory with Isidor Seiß. The last training took place with Clara Schumann in Frankfurt. Already an orphan at the age of 16, Flohr then moved to Munich, from where he undertook numerous concert tours through Germany, Switzerland and Austria-Hungary. As a song accompanist he performed with Pauline Lucca, Amalie Joachim, the violinist August Wilhelmj and the cellist Joseph Diem. In 1892 Flohr settled in Neuss, in 1902 he went to Düsseldorf, where he worked as a teacher at the Buths-Neizel Conservatory and as the municipal music director for over 25 years, and also became a member of the Malkasten artists' association. He died of lung cancer in 1940. His 50th anniversary as an artist in 1928 was celebrated with a festive event in Düsseldorf. In 1959 his 90th and in 1969 his 100th birthday were commemorated in Düsseldorf. Flohr's compositions were destroyed by an air mine in 1942.

 

 

TRACKLIST

 

 

1. 3348 WELTE-MIGNON BRAHMS - Scherzo, Op. 4, eb

2. 3351 WELTE-MIGNON MENDELSSOHN - Overture to “A Midsummer Night’s Dream” Op. 17

3. 3352 WELTE-MIGNON WEBER - Overture to the Opera “Preciosa”

4. 3356 WELTE-MIGNON SIBELIUS -”Finlandia”, Op. 26, No. 7

5. 3357 WELTE-MIGNON RAFF - Cachoucha, Caprice, Op. 79, c

6. 3359 WELTE-MIGNON FLOHR - Lenz, Lied Op. 19, 5

HUBERT FLOHR WELTE-MIGNON PIANO ROLLS CDR

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FANNY DAVIES WELTE-MIGNON PIANO ROLLS CDR

 

FANNY DAVIES (GUERNSEY, BAILIWICK OF GUERNSEY, UNITED KINGDOM, 27 JUNE 1861 - LONDON, ENGLAND, 1 SEPTEMBER 1934)

 

 

 

 

One of the most celebrated of English pianists, Fanny Davies studied first with Karl Reinecke and Oscar Paul. From 1883 through 1885, she was tutored by Clara Schumann and is now considered to have been one of Schumann's most gifted and distinguished pupils. During the 1888 season, George Bernard Shaw attended a performance by Davies' which led him to remark that her playing was "full of speed, lilt, life, and energy. She scampered through a fugue of Bach's with a cleverness and jollity that forced us to condone her utter irreverence." The Beethoven Fourth Concerto was one of her specialties, and her Schumann playing was highly respected, particularly because it derived directly from the great tradition of Clara Schumann herself. Davies championed the classical works of Beethoven and Chopin as well as what were then new compositions by Brahms and British composers. In 1887, she and Adolf Brodsky gave the first performance of Ethel Smyth 's violin sonata in Leipzig. In the late 1920s, she made one of the first electrical recordings of Robert Schumann's concerto. She also played the then almost unknown Elizabethan composers. Davies excelled as a recital accompanist and also collaborated with world-class virtuosos like Pablo Casals. In 1921, she was the first musician to give a piano recital in Westminster Abbey; she also gave many recitals in the church of St. Martin-in-the-Fields and is believed to be the first woman to play piano in a church. Sir Edward Elgar dedicated his Concert Allegro Op. 46 to her. One of her students was Kathleen Dale.

 

 

TRACKLIST

 

 

1772 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 1-6

1773 WELTE-MIGNON BRAHMS - Intermezzo, Op. 116, No. 4, Eb

1773 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 7-13

1774 WELTE-MIGNON BRAHMS - Intermezzo, Op. 119, No. 2, e

1777 WELTE-MIGNON GHEYN Prelude, Coucou (Carillon)

FANNY DAVIES WELTE-MIGNON PIANO ROLLS CDR

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FANNIE BLOOMFIELD ZEISLER WELTE-MIGNON PIANO ROLLS 2 CDR

 

FANNIE BLOOMFIELD ZEISLER (JULY 16, 1863, BIELSKO, POLAND – AUGUST 20, 1927, CHICAGO, ILLINOIS, UNITED STATES)

 

 

 

 

Zeisler was born Fannie Blumenfeld on July 16, 1863, in Bielitz, Austrian Silesia to Jewish parents. She emigrated to the United States with her family at the age of 4 in 1867. The family settled in Chicago, Illinois where they later changed their name to Bloomfield. She was the sister of Maurice Bloomfield and the aunt of Leonard Bloomfield. At the age of six, before receiving any musical instruction, she began picking out tunes on the piano. Her first teachers were in Chicago; Bernard Ziehn and Carl Wolfsohn. In 1877, Annette Essipova, then on tour in the United States, heard her play and advised that she became a pupil of Theodor Leschetizky. She made her debut at the age of 11 in February 1875. In 1878, she returned to Austria to study in Vienna, under Leschetizky. While in Austria, she changed her name from Blumenfeld to Bloomfield. She returned to Chicago in 1883. Bloomfield performed in concert in Chicago in April 1884. In January 1885, she debuted in New York City. Around the turn of the century, she made piano rolls of various piano compositions, Chopin's Waltz No. 11 in G minor being among them. Bloomfeld married the attorney Sigmund Zeisler in 1885 and had three sons: Leonard, Paul and Ernest. In 1888, she returned to Vienna to study with Leschetizky. She also began to tour in Europe and the United States, with the Chicago Symphony Orchestra. Her last performance was in February 1925 in Chicago. She played the Beethoven Andante Favori and concertos by Chopin and Schumann. Zeisler died in Chicago, Illinois on August 20, 1927.

 

 

TRACKLIST

  

 

1. Croquis et silhouettes Op. 87, No. 4 (Schütt) Welte-Mignon 2597

2. Dance of the blessed spirits from Orfeo (Gluck-Sgambati) Welte-Mignon 1461

3. Gondoliera Op.41 (Moszkowski) Welte-Mignon 1469

4. Juggleress Op.52 No.4 (Moszkowski) Welte-Mignon 6963

5. Love-Waltz Op.57 No. 5 (Moszkowski) Welte-Mignon 6979

6. Nocturne C Minor Op. 48 No 1 (Chopin) Welte-Mignon 6960

7. Nocturne in C Sharp Minor Op.27 No.1 (Chopin) Welte-Mignon 6978

8. Nocturne In D Flat Major Op.27 No.2 (Chopin) Welte-Mignon 7002

9. Piano Sonata No.2 Op.35 In B Flat Minor- 1st Movement - Grave...Doppio Movim

10. Piano Sonata No.2 Op.35 In B Flat Minor- 2nd Movement - Scherzo Welte-Mignon

11. Piano Sonata No.2 Op.35 In B Flat Minor- 3rd Movement - Lento; Marche Funebr

12. Piano Sonata No.2 Op.35 In B Flat Minor- 4th Movement Welte-Mignon 2589

13. Scherzo in B Flat Minor Op.31 (Chopin) Welte-Mignon 1464

14. Serenade Op. 28. (Brockway) Welte-Mignon 6961

15. Toccata & Fugue in D Minor (Bach-Tausig) Welte-Mignon 2593

FANNIE BLOOMFIELD ZEISLER WELTE-MIGNON PIANO ROLLS 2 CDR

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CORNELIUS RÜBNER WELTE-MIGNON PIANO ROLLS CDR

 

PETER MARTIN CORNELIUS RÜBNER, ALSO RYBNER, AMERICAN RUBNER (COPENHAGEN, OCTOBER 26, 1853 – NEW YORK CITY, JANUARY 21, 1929)

Rübner studied from January 1869 to December 1871 at the Royal Conservatory in Copenhagen with Niels Wilhelm Gade and Johan Christian Gebauer (1808-1884). In 1880 he became Felix Mottl's assistant at the Grand Ducal Baden court orchestra in Karlsruhe, and from around 1884 to 1886 he also worked as the Grand Ducal Baden court pianist in Baden-Baden. In 1892 he became director of the Philharmonic Society and teacher at the Grand Ducal Conservatory in Karlsruhe. In the empire he gained fame , among other things, because he set the poem Our Emperor by the poet Otto Julius Bierbaum to music , which was a hit with the public. He also wrote numerous tribute pieces for the Baden dynasty. Like Felix Mottl and Louis Brassin, Rübner created transcriptions for piano based on Richard Wagner's operas. In 1905, Columbia University in New York appointed Rübner as Edward MacDowell's successor, where he taught as a professor until 1919.

 

 

TRACKLIST

  

 

Cornelius Rübner made 5 Welte-Mignon piano rolls

1. 3019 WELTE-MIGNON WAGNER-RYBNER - Paraphrase on Themes from Opera “Die Meistersinger”

2. 3021 WELTE-MIGNON WAGNER-RYBNER - Siegfried’s Funeral March from”Götterdämmerung”

3. 3022 WELTE-MIGNON WAGNER-RYBNER - Paraphrase onThemes from Opera”Tristan und Isolde”

4. 3023 WELTE-MIGNON WAGNER-RYBNER - Wotan’s Farewell; Magic Fire Music

CORNELIUS RÜBNER WELTE-MIGNON PIANO ROLLS CDR

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CARL REINECKE THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

 

CARL HEINRICH CARSTEN REINECKE (HAMBURG, GERMANY 23 JUNE 1824 – LEIPZIG, GERMANY 10 MARCH 1910)

 

 

Reinecke was born in what is today Hamburg, Germany province of Altona; technically he was born a Dane, as until 1864 the town was under Danish rule. He received all his musical instruction from his father, (Johann Peter) Rudolf Reinecke (22 November 1795 – 14 August 1883), a music teacher and writer on musical subjects. Carl first devoted himself to violin-playing, but later on turned his attention to the piano. He began to compose at the age of seven, and his first public appearance as a pianist was when he was twelve years old. At the age of 19, he undertook his first concert tour as a pianist in 1843, through Denmark and Sweden, after which he lived for a long time in Leipzig, where he studied under Felix Mendelssohn, Robert Schumann and Franz Liszt; he entered into friendly relations with the former two. After the stay in Leipzig, Reinecke went on tour with Königslöw and Wilhelm Joseph von Wasielewski (later Schumann's biographer), in North Germany and Denmark. In 1846, Reinecke was appointed Court Pianist for Christian VIII in Copenhagen. There he remained until 1848, when he resigned and went to Paris. Overall he wrote four concertos for his instrument (and many cadenzas for others' works, including a large set published as his Opus 87), as well as concertos for violin, cello, harp and flute. In the winter of 1850/51, Carl Schurz reports attending weekly "musical evenings" in Paris where Reinecke was in attendance. In 1851, Reinecke became a professor at the Cologne Conservatory. In ensuing years he was appointed musical director at the German metropolis of Barmen, and became the academic, musical director and conductor of the Singakademie at Breslau. In 1860, Reinecke was appointed director of the Gewandhaus Orchestra concerts in Leipzig, and professor of composition and piano at the Conservatorium. He led the orchestra for more than three decades, until 1895. He conducted premieres such as the full seven-movement version of Brahms's A German Requiem (1869). In 1865 the Gewandhaus-Quartett premiered his piano quintet, and in 1892 his D major string quartet. Reinecke is best known for his flute sonata "Undine", but he is also remembered as one of the most influential and versatile musicians of his time. He served as a teacher for 35 years, until his retirement in 1902. His students included Edvard Grieg, Basil Harwood, Charles Villiers Stanford, Christian Sinding, Leoš Janáček, Constanta Erbiceanu, Isaac Albéniz, August Max Fiedler, Walter Niemann, Johan Svendsen, Richard Franck, Felix Weingartner, Max Bruch, Mikalojus Konstantinas Čiurlionis, Ernest Hutcheson, Felix Fox, August Winding and many others. After retirement from the conservatory, Reinecke devoted his time to composition, resulting in almost three hundred published works. He wrote several operas (none of which are performed today) including König Manfred. During this time, he frequently made concert tours to England and elsewhere. His piano playing belonged to a school in which grace and neatness were characteristic, and at one time he was probably unrivaled as a Mozart player and an accompanist.

 

 

TRACKLIST

 

1. 168 WELTE-MIGNON SCHUMANN - “Fantasiestücke”, Op. 12, No. 3 Warum (Why)

2. 181 WELTE-MIGNON MOZART - Piano Sonata, K. 333, Bb 2nd mvt

3. 182 WELTE-MIGNON MOZART - Piano Sonata, K. 331, A 3rd mvt. “Rondo à la Turque”

4. 184 WELTE-MIGNON BEETHOVEN - Ecossaisen (Scottish Dances), Eb, WoO 86

5. 204 WELTE-MIGNON REINECKE - Gondoliera, Op. 86, No. 3

6. 219 WELTE-MIGNON REINECKE - Prelude to  Act V of the Opera “King Manfred”

7. 237 WELTE-MIGNON MOZART - Piano Concerto No. 26 in D Major, K. 537, Coronation II. Larghetto

CARL REINECKE THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

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ARTUR LEMBA THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

 

ARTUR LEMBA (24 SEPTEMBER 1885, TALLINN – 21 NOVEMBER 1963, TALLINN)

 

 

 

 

Artur Lemba was an Estonian composer and piano teacher, and one of the most important figures in Estonian classical music. Artur and his older brother Theodor (1876-1962) were the first professional pianists in Estonia to give concerts abroad. Artur's 1905 opera Sabina was the first opera composed by an Estonian. His Symphony No. 1 in 1908 was the first symphony composed by an Estonian. Lemba was a finalist in the prestigious Anton Rubinstein Competition and later a professor at the Saint Petersburg Conservatory. Artur Lemba learned piano from his brother Theodor Lemba. In 1899, following in his brother's footsteps, he enrolled at the St. Petersburg Conservatory. There he studied piano with Carl van Arck, Prof. V. Tolstov and I. Borovka. His composition teacher was Nicolai Soloviev and he studied music theory with Alexander Lyadov, Alexander Glazunov and Nikolai Rimsky-Korsakov. In 1908, he graduated, receiving a gold medal in piano, a silver medal in composition, and the Anton Rubinstein prize (a Schröder piano). At his graduation ceremony, Lemba performed his Piano Concerto No. 1. In 1910, Artur Lemba participated in the Anton Rubinstein Competition for pianists, where he placed among the eight finalists, including Arthur Rubinstein and Edwin Fischer. After his graduation in 1908, Lemba became a piano teacher at the St. Petersburg Conservatory. In 1915 he became a professor. He taught and gave concerts in Saint Petersburg until 1920. Returning to Estonia, Lemba worked as a piano teacher, eventually becoming head of the piano department at the Tallinn Conservatory. Notable students included Elsa Avesson, Olav Roots, Villem Reimann, Veera Lensin, Kirill Raudsepp and others. In addition to the concerts in Estonia, Lemba performed in Saint Petersburg, Riga, Moscow, Odessa, Budapest, Helsinki and Stockholm. Lemba's Piano Concerto No. 1 in G major (1905) is often regarded as his best known work, described as having a memorable melody. Lemba's Poéme d’amour (1916) for violin and piano is also popular in the violin repertoire. Lemba composed in almost every genre, with two symphonies (the first of which is the earliest example by an Estonian composer), three overtures, four operas, three cantatas, chamber music for different ensembles and 30 choral works. For the piano, Lemba wrote five piano concertos, two sonatas, two sonatinas, two preludes and more than 20 études.

 

 

TRACKLIST

 

 

1. WELTE-MIGNON 1990 GLAZOUNOV-BLUMENFELD - Grande Concert Waltz, Op. 47, D

2. WELTE-MIGNON 2156 GLAZOUNOV - Piano Sonata No. 2, Op. 75, e lst mvt.

3. WELTE-MIGNON 2157 GLAZOUNOV - Piano Sonata No. 2, Op. 75, e 2nd mvt.

4. WELTE-MIGNON 2158 GLAZOUNOV - Piano Sonata No. 2, Op. 75, e 3rd mvt.

ARTUR LEMBA THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

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ADRIANO ARIANI AMPICO AND DUO-ART PIANO ROLLS CDR

 

ADRIANO ARIANI (ROME, 25 NOVEMBER, 1877 – PESARO, 28 JANUARY 28, 1935)

 

 

 

 

Born in Rome on November 25th. 1877, he studied piano at the Rossini musical high school in Pesaro with M. Vitali and composition with P. Mascagni, graduating in August 1901. After perfecting himself with F. Busoni, G. Sgambati and A. Rendano, in 1905 he won the first prize of the Accademia di S. Cecilia with a Suite for orchestra, which was partially performed in a concert conducted by P. Mascagni at the Academy of St. Cecilia. There he subsequently devoted himself to concert pianist and performed several times in Rome and in the main Italian cities, enjoying success. After moving to New York, the A. instead he engaged in orchestral conducting, and for six consecutive seasons he figured alongside A. Toscanini in the Choral Institution. In 1916 one of his oratorios for soloists, choir and orchestra, San Francesco, was performed at Camegie Hall; later, in 1920, the A. he also conducted an important season of Italian operas at the Academy of Music theater in Brooklyn (New York). In 1932, returned to Italy, the A. he was taught piano and appointed deputy director at the Pesaro music high school, where he died on 28 January. 1935. In addition to the works already mentioned, we recall two Symphonies, Masses, vocal chamber music, piano selections, etc., and a reduction for solo piano of P. Mascagni's opera Amica (Paris 1905).

 

 

TRACKLIST

 

 

Hungarian Rhapsody No. 6, Db (Liszt) Ampico 5078

Sonata No. 2 in B flat minor, Op. 35 Marche Funebre (Chopin) Ampico 5039

Nocturne, Op. 27, No. 2 Db (Chopin) Duo-Art 5566

Valse, Op. 64, No. 2, c# (Chopin) Duo-Art 5568

ADRIANO ARIANI AMPICO AND DUO-ART PIANO ROLLS CDR

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ANATOL VON ROESSEL WELTE-MIGNON PIANO ROLLS CDR

 

ANATOL VON ROESSEL (BUDAPEST, AUSTRIA-HUNGARY, NOVEMBER 4, 1877 – OBER-HAMBACH, TODAY HEPPENHEIM (BERGSTRAßE), OCTOBER 30, 1967)

 

 

 

 

His father was Austrian, his mother Russian, and one of his grandmothers was Alsatian. His father was also a concert pianist and from 1877 to 1878 he was a student of Franz Liszt, who was also the godfather of Anatol von Roessel. Soon after Anatol’s birth, the family moved to Odessa, where the father had become the Imperial Russian Music Director. Roessel was raised Russian Orthodox. He grew up trilingual, in addition to Russian, German and Ukrainian, French was added at high school, which he soon mastered perfectly. After graduating from high school in Odessa, he gave concerts in southern Russia to get the funds to study at the Leipzig Conservatory. In 1905 he was invited several times to record a total of 25 pieces for the Welte-Mignon reproduction piano. In Leipzig he studied with the famous pianist Alfred Reisenauer . He completed his studies at the end of 1904 and won the Mozart Prize there. Reisenauer appointed him the only assistant at his master school, where he worked until Reisenauer’s early death in 1907. He apparently went to Erfurt shortly thereafter. According to press reports, he performed for the first time on November 14, 1907 at the Erfurt Musikverein. In 1913 the “Erfurter Allgemeineanzeiger” recognized his 25th concert. From 1910 to 1914 he was head of the training class at the Erfurt “Akademie der Tonkunst” at Gartenstraße 52. He also undertook concert tours through Germany, France, Sweden and Russia, where he achieved significant pianistic successes. It is conceivable that in March 1913, when he was saying farewell with the director of the Erfurt Conservatory, the music teacher Walter Hansmann (1875-1963), in the hall of the “Europäischer Hof” on Meister-Eckehart-Strasse, he entered private life withdrew. He obviously did not have to take part in the First World War. In any case, from May to November 1914 he worked as a builder and had a villa built in Erfurt’s best residential area, which he largely designed himself. The money for building the house at Cyriakstraße 21 apparently came from his father-in-law. His name was not only Müller, but he was also the miller at the Kartäusermühle (Erfurt) . The proceeds from the sale of the mill to Adolf Filß probably made it possible for his daughter Anna, who had married Anatol, to finance it. In any case, in 1925 he sold the house on Cyriakstrasse to the pianist and officer’s widow von Dosky, left Erfurt and went to Paris. Roessel was a Russian citizen but became stateless in Russia after the October Revolution. In Paris he worked as a music critic. He wrote for the international music press, including the magazine L’art musical and was a correspondent for the Neue Magazin für Musik, he was also vice-president of the Critique étrangère en France. Divorced in the meantime, he returned to Germany in July 1939 to settle private matters. Here he also experienced the outbreak of war in September 1939. In 1940 he went back to Paris for a short time, but soon withdrew to the Bavarian countryside, deprived of his livelihood. As a stateless person, his status in Nazi Germany was not easy. The internationally renowned musician and critic found refuge in the Landschulheim Neubeuern near Rosenheim, where he worked as a piano teacher and concertmaster. In 1941, the National Socialists closed the boarding school as “politically unreliable”. At the invitation of the Odenwald School he was able to move to Ober-Hambach in the same year to also work as a piano teacher there. Roessel worked in the Odenwald School until old age, his livelihood was secured by the school community.

 

 

TRACKLIST

 

 

195 CHOPIN – Etude, Op. 25, No. 7, c#

234 RACHMANINOFF – “Fantasy Pieces”, Op. 3, No. 2, c# Prelude

303 BRAHMS – Rhapsody, Op. 79, No. 1, b

304 LISZT – Hungarian Rhapsody No. 5, e “Héroide-Elégiaque”

305 MOSZKOWSKI – GODOWSKY – Spanish Dance, Op. 21, No. 3, f#

307 TCHAIKOVSKY – Tender Reproaches, Op. 72, No. 3, c#

309 J. STRAUSS, JR. – GOLDSTEIN – (Thousan d & One Nights, Op. 346)

503 REBIKOV – Chanson triste (Song of Sadness) Op. 6, No. 2

507 TCHAIKOVSKY – Berceuse (Cradle Song) Op. 72, No. 2, Ab

1040 TCHAIKOVSKY – Theme and Variations, Op. 19, No. 6, F

1045 SCHUMANN-LISZT – Widmung (Dedication) Op. 25, No. 1

1046 GLAZOUNOV – Gavotte, Op. 49, No. 3, D

1265 GRIEG – Norwegian Dance, Op. 35, No. 2, A

ANATOL VON ROESSEL WELTE-MIGNON PIANO ROLLS CDR

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GREAT PIANISTS PLAYS FOR WELTE-MIGNON PIANO ROLLS ULTRA RARE! 100 CDR

 

TRACKLIST

(Will be shipped on a USB)

 

ALEXANDER LASZLO WELTE-MIGNON PIANO ROLLS CDR

3316 WELTE-MIGNON SCHUBERT – Symphony No. 8, b “Unfinished” D. 759 – 2nd mvt.

3328 WELTE-MIGNONTCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 1st mvt. Part 1

3329 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 1st mvt. Part 2

3330 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 2nd mvt.

3331 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 3rd mvt.

3332 WELTE-MIGNON TCHAIKOVSKY – Symphony No. 6, Op. 74, b “Pathétique” 4th mvt.

3335 WELTE-MIGNON WAGNER – Overture to the Opera “Rienzi”

ANNA YESIPOVA WELTE-MIGNON PIANO ROLLS CDR

1075 WELTE-MIGNON SCHUMANN – Variations on a Theme by Clara Wieck, Op. 5, f

1076 WELTE-MIGNON CHOPIN – Barcarolle, Op. 60, F#

1077 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 17, Ab

1078 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 4, b

1083 WELTE-MIGNON VERDI-LISZT – Paraphrase on Themes from the Opera “Rigoletto”

1084 WELTE-MIGNON BELLINI-THALBERG – Fantasie on Themes from Opera”La Sonnambula”

ARTUR LEMBA THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 1990 GLAZOUNOV-BLUMENFELD – Grande Concert Waltz, Op. 47, D

WELTE-MIGNON 2156 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e lst mvt.

WELTE-MIGNON 2157 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e 2nd mvt.

WELTE-MIGNON 2158 GLAZOUNOV – Piano Sonata No. 2, Op. 75, e 3rd mvt.

BERNHARD STAVENHAGEN WELTE-MIGNON PIANO ROLLS CDR

1031 WELTE-MIGNON LISZT- Légende #1 St. Francis of Assisi Preaching to the Birds

1032 WELTE-MIGNON LISZT- Légende #2 St. Francis of Paul Walking on the Water

1033 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 12, c# (As played by Liszt)

1034 WELTE-MIGNON LISZT – “Paganini” Etude – No. 5 La chasse (The Hunt)

1035 WELTE-MIGNON CHOPIN-LISZT – “Polish Songs”, Op. 74, No. 5 My Joys

1036 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 15, Db “Raindrop”

1039 WELTE-MIGNON CHOPIN – Waltz, Op. 69, No. 1, Ab

CARL REINECKE THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

168 WELTE-MIGNON SCHUMANN – “Fantasiestücke”, Op. 12, No. 3 Warum (Why)

181 WELTE-MIGNON MOZART – Piano Sonata, K. 333, Bb 2nd mvt

182 WELTE-MIGNON MOZART – Piano Sonata, K. 331, A 3rd mvt. “Rondo à la Turque”

184 WELTE-MIGNON BEETHOVEN – Ecossaisen (Scottish Dances), Eb, WoO 86

204 WELTE-MIGNON REINECKE – Gondoliera, Op. 86, No. 3

219 WELTE-MIGNON REINECKE – Prelude to  Act V of the Opera “King Manfred”

237 WELTE-MIGNON MOZART – Piano Concerto No. 26 in D Major, K. 537, Coronation II. Larghetto

CARL WENDLING WELTE-MIGNON PIANO ROLLS CDR

375 WELTE-MIGNON SINDING – Frühlingsrauschen (Rustle of Spring) Op. 32, No. 3, Db

376 WELTE-MIGNON WAGNER-LISZT – Elsa’s Bridal Procession from the Opera “Lohengrin”

377 WELTE-MIGNON SCHUETT – Etude mignonne, Op. 16, No. 1, D

378 WELTE-MIGNON GRIEG – Wedding Day at Troldhaugen, Op. 65, No. 6 “Lyric Pieces”

379 WELTE-MIGNON GRIEG – Berceuse (Cradle Song) Op. 38, No. 1, g “Lyric Pieces”

424 WELTE-MIGNON RAFF – La fileuse (The Spinner) Op. 157, No. 2, F#

CARLO ZECCHI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 4065 D. SCARLATTI – Keyboard Sonata, A

WELTE-MIGNON 4066 D. SCARLATTI – Gigue, G

4067 WELTE-MIGNON ALALEONA – “La Citta Fiorita” (The Flower City) Biancospina

4068 WELTE-MIGNON BAJARDI – Ballata (Ballad) c#

4069 WELTE-MIGNON PIZZETTI – Le quai du Port de Famagouste from the ballet “La Pisanella”

4070 WELTE-MIGNON CASTELNUOVO-TEDESCO – Rhapsodia Viennese (Viennese Waltz)

4071 WELTE-MIGNON GASCO – La Danzatrici di Jodhpur

4072 WELTE-MIGNON CASELLA – Deux contrastes Grazioso et Anti-Grazioso

4073 WELTE-MIGNON D’AVICO – Notturno (Nocturne), E

4074 WELTE-MIGNON STRAVINSKY – Petrouchka – ballet – Nos. l, Danse russe; 2, Chez Petrouchka

4075 WELTE-MIGNON STRAVINSKY – Petrouchka – ballet – Nos. 3, La semaine grasse

CLOTILDE KLEEBERG WELTE-MIGNON PIANO ROLLS CDR

449 WELTE-MIGNON MOSZKOWSKI – Liebeswalzer (Love-Waltz) Op. 57, No. 5

451 WELTE-MIGNON SAINT-SAENS – Valse mignonne, Op. 104, Eb

454 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 8, F

455 WELTE-MIGNON CHOPIN – Impromptu No. 1, Op. 29, Ab

457 WELTE-MIGNON BEETHOVEN – Variations on an Original Theme, Op. 34, F

458 WELTE-MIGNON MENDELSSOHN – Duetto, Op. 38, No. 6, Ab (Songs w o Words)

CORNELIUS RÜBNER WELTE-MIGNON PIANO ROLLS CDR

3019 WELTE-MIGNON WAGNER-RYBNER – Paraphrase on Themes from Opera “Die Meistersinger”

3021 WELTE-MIGNON WAGNER-RYBNER – Siegfried’s Funeral March from”Götterdämmerung”

3022 WELTE-MIGNON WAGNER-RYBNER – Paraphrase onThemes from Opera”Tristan und Isolde”

3023 WELTE-MIGNON WAGNER-RYBNER – Wotan’s Farewell; Magic Fire Music

ERNST VON DOHNANYI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 489 SCHUBERT – Piano Sonata, Op. 42, a 2nd mvt.

WELTE-MIGNON 490 SCHUBERT – Piano Sonata, Op. 42, a 3rd mvt.

WELTE-MIGNON 491 LISZT – Consolation No. 3, Db

WELTE-MIGNON 492 LISZT – Hungarian Rhapsody No. 15, a “Rakoczy March”

WELTE-MIGNON 493 BACH – Organ Fantasia and Fugue on the name B-A-C-H

WELTE-MIGNON 494 LISZT – Hungarian Rhapsody No. 13, a

WELTE-MIGNON 495 BEETHOVEN – Piano Sonata, Op. 78, F#   lst mvt.

WELTE-MIGNON 496 SCHUBERT-LISZT – Soireés de Viennes (Vienna Evenings) No. 4, Db

WELTE-MIGNON 497 BRAHMS – Capriccio, Op. 76, No. 2, b

WELTE-MIGNON 498 CHOPIN – Waltz, Op. 64, No. 2, c#

WELTE-MIGNON 500 DOHNANYI – Gavotte and Musette

WELTE-MIGNON 501 SCHUMANN – Romance, Op. 28, No. 2, F#

WELTE-MIGNON 502 DOHNANYI – Capriccio, Op. 2, No. 4, b

EUGEN D’ALBERT WELTE-MIGNON PIANO ROLLS 2 CDR

412 WELTE-MIGNON SCHUBERT-LISZT – Soireés de Viennes (Vienna Evenings) No. 1, Ab

414 WELTE-MIGNON D’ALBERT – Scherzo, Op. 16, No. 2, F#

415 WELTE-MIGNON LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love)

416 WELTE-MIGNON D’ALBERT – Ballade, f, from the Opera “Tieflan d”

419 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”

420 WELTE-MIGNON CHOPIN – Nocturne, Op. 9, No. 3, B

422 WELTE-MIGNON SCHUBERT – Impromptu, Op. 90, No. 3, G

2959 WELTE-MIGNON D’ALBERT – Potpourri from the Opera “Flauto Solo”

2961 WELTE-MIGNON D’ALBERT – Scenes from the Opera “Tieflan d”

2964 WELTE-MIGNON BACH-D’ALBERT – Passacaglia, c , S. 582

2971 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e 2nd mvt.

2971 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e lst mvt.

2977 WELTE-MIGNON CHOPIN – Ballade No. 2, Op. 38, F

2979 WELTE-MIGNON CHOPIN – Nocturne, Op. 9, No. 1, b-b

2983 WELTE-MIGNON GRIEG – Ballade, Op. 24, g (Variations on a Norwegian Folk Song)

2986 WELTE-MIGNON LISZT – Valse Impromptu, Ab

2987 WELTE-MIGNON LISZT – Piano Sonata, b lst mvt.

2988 WELTE-MIGNON LISZT – Piano Sonata, b 2nd and 3rd mvts.

2990 WELTE-MIGNON SAINT-SAENS – Etude en forme de valse, Op. 52, No. 6

2991 WELTE-MIGNON SAINT-SAENS – Danse macabre, Op. 40

2993 WELTE-MIGNON SINDING – Six Pieces, Op. 32, No. l Marche grotesque, E

EUGENIE ADAM-BENARD WELTE-MIGNON PIANO ROLLS 2 CDR

BIZET – Carmen’s Song from the Opera “Carmen” 137

BIZET- Don José’s Aria & Duet from Act II of the Opera”Carmen” 163

CHOPIN – Mazurka, Op. 67, No. 4, a 120

CHOPIN – Nocturne, Op. 9, No. 2,  Eb 83

GOUNOD – Prelude to the Opera “Faust” 57

GOUNOD-LISZT – Waltz from the Opera “Faust” 26

HANDEL – Harmonious Blacksmith – Air with Variations 10

HANDEL – Ombra mai fu – Largo from the Opera “Serse” 76

LEONCAVALLO – Prologue to the Opera “Pagliacci” 106

LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love) 104

MENDELSSOHN- Folk Song, Op. 53, No. 6, A (Songs w  o Words) 40

SCHUMANN – Piano Concerto, Op. 54, a – lst mvt. 28

WAGNER – Prelude to the Opera”Lohengrin” 122

WAGNER – Schwanenlied (Swan Song) from Opera “Lohengrin” 118

WAGNER – To the Evening Star from the Opera”Tannhäuser” 144

WAGNER-RAFF – Fantasie, Op. 61, No. 3 on Opera”Tannhäuser” 138

WEBER – La Gaieté – Rondo brillante, Op. 62 134

FANNIE BLOOMFIELD ZEISLER WELTE-MIGNON PIANO ROLLS 2 CDR

Croquis et silhouettes Op. 87, No. 4 (Schütt) Welte-Mignon 2597

Dance of the blessed spirits from Orfeo (Gluck-Sgambati) Welte-Mignon 1461

Gondoliera Op.41 (Moszkowski) Welte-Mignon 1469

Juggleress Op.52 No.4 (Moszkowski) Welte-Mignon 6963

Love-Waltz Op.57 No. 5 (Moszkowski) Welte-Mignon 6979

Nocturne C Minor Op. 48 No 1 (Chopin) Welte-Mignon 6960

Nocturne in C Sharp Minor Op.27 No.1 (Chopin) Welte-Mignon 6978

Nocturne In D Flat Major Op.27 No.2 (Chopin) Welte-Mignon 7002

Piano Sonata No.2 Op.35 In B Flat Minor- 1st Movement – Grave…Doppio Movim

Piano Sonata No.2 Op.35 In B Flat Minor- 2nd Movement – Scherzo Welte-Mignon

Piano Sonata No.2 Op.35 In B Flat Minor- 3rd Movement – Lento; Marche Funebr

Piano Sonata No.2 Op.35 In B Flat Minor- 4th Movement Welte-Mignon 2589

Scherzo in B Flat Minor Op.31 (Chopin) Welte-Mignon 1464

Serenade Op. 28. (Brockway) Welte-Mignon 6961

Toccata & Fugue in D Minor (Bach-Tausig) Welte-Mignon 2593

FANNY DAVIES WELTE-MIGNON PIANO ROLLS CDR

1772 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 1-6

1773 WELTE-MIGNON BRAHMS – Intermezzo, Op. 116, No. 4, Eb

1773 WELTE-MIGNON SCHUMANN -”Kinderscenen” (Childhood Scenes) Op. 15, Nos. 7-13

1774 WELTE-MIGNON BRAHMS – Intermezzo, Op. 119, No. 2, e

1777 WELTE-MIGNON GHEYN Prelude, Coucou (Carillon)

19. FERRUCCIO BUSONI THE COMPLETE WELTE-MIGNON PIANO ROLLS 2 CDR

439 WELTE-MIGNON BACH-BUSONI – Chorale-Prelude “Rejoice, Beloved Christians”

440 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”

441 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#

442 WELTE-MIGNON DONIZETT-LISZT – Valse-Caprice on Motives from “Lucia di Lammermoor”

443 WELTE-MIGNON BEETHOVEN-LISZT – Adeläide, Op. 46

444 WELTE-MIGNON LISZT-BUSONI – “Paganini” Etude No. 3, g# La Campanella

445 WELTE-MIGNON VERDI-LISZT – Paraphrase on Themes from the Opera “Rigoletto”

446 WELTE-MIGNON SCHUBERT-LISZT – Hungarian March

1319 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 15, Db “Raindrop”

1320 WELTE-MIGNON LISZT – Polonaise No. 2, E

1321 WELTE-MIGNON LISZT-BUSONI – Fantasie on Themes from Bellini’s “Norma”

1322 WELTE-MIGNON BEETHOVEN-LISZT- Fantasie on “The Ruins of Athens” Op. 113

1323 WELTE-MIGNON MOZART-LISZT- Reminiscences on Themes from “Don Giovanni”

FREDERIC LAMOND WELTE-MIGNON PIANO ROLLS CDR

560 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” lst mvt.

561 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 2nd mvt.

562 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 3rd mvt.

563 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 111, c lst mvt.

564 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 111, c 2nd mvt.

568 WELTE-MIGNON CHOPIN – Waltz, Op. 70, No. 1, Gb

569 WELTE-MIGNON LISZT – Un Sospiro (A Sigh) – Grande Concert Etude No. 3, Db

570 WELTE-MIGNON LISZT – Liebestraum (Nocturne) No. 3, Ab O, Lieb! (Oh, Love)

GEORG ALFRED SCHUMANN WELTE-MIGNON PIANO ROLLS CDR

731 WELTE-MIGNON BACH -” Italian” Concerto, F S. 9712nd mvt.

733 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 26, Ab   1st mvt.

735 WELTE-MIGNON MOZART – Rondo, K. 511, a

738 WELTE-MIGNON LISZT- Waldesrauschen (Forest Murmurs) Concert Etude #1, Db

HANS HAASS WELTE-MIGNON PIANO ROLLS 2 CDR

801 WELTE-MIGNON F. COUPERIN – La precieuse (The Beloved One)

3802 WELTE-MIGNON F. COUPERIN – Chanson Louis XVIII; Pavane

3991 WELTE-MIGNON KORNGOLD – Pierrot’s Dance Song from the Opera “Die Tote Stadt” (Dead City)

3994 WELTE-MIGNON VON SUPPE – Overture to the Operetta “Die schöne Galathea”

4028 WELTE-MIGNON GOMEZ – Fantasie on Themes from the Opera “Il Guarany”as Hans Häuser

4171 WELTE-MIGNON FREITAS-BRANCO – ”Tres Pecas”No. 2  Preludio (Prelude) as Hans Häuser

4172 WELTE-MIGNON FREITAS-BRANCO – Aquella Moca as Hans Häuser

4173 WELTE-MIGNON D’OLIVERA – Fado Sepulveda as Hans Häuser

5667 WELTE-MIGNON BERLIN – All alone Waltz

5728 WELTE-MIGNON FALL – Was machst du mit dem Knie, lieber Hans  paso doble

3430 WELTE-MIGNON TOSELLI – Rimpianto (Serenade) Op. 6, Eb as Hans Häuser

3445 WELTE-MIGNON J. STRAUSS, JR. – Kaiserwalzer (Emperor Waltzes), Op. 473

3447 WELTE-MIGNON ZIEHRER – Wiener Madl’n (Vienna Girls) – Waltzes, Op. 38

3450 WELTE-MIGNON DVORAK – Slavonic Dance, Op. 46, No. 4,

3452 WELTE-MIGNON MEYER-HELMUND – Zauberlied F

3465 WELTE-MIGNON WALDTEUFEL – The Skaters – Waltzes

3472 WELTE-MIGNON J. STRAUSS, JR. – Wo die Citrönen blühn (Where the Citrons Bloom) – Waltzes

3643 WELTE-MIGNON HAASS – Phantom, One-Step.

3790 WELTE-MIGNON TRAD.-GRAINGER – Shepherd’s Hey (British Folk Settings, No. 4)

3791 WELTE-MIGNON TRAD.-GRAINGER – Irish Tune from County Derry (British Folk Sets, No. 6)

3800 WELTE-MIGNON BACH – Prelude and Fugue, d (WTC, Book 11, No. 6, d, S. 875)

HERBERT FRYER WELTE-MIGNON PIANO ROLLS CDR

1324 WELTE-MIGNON DVORAK – Humoresque, Op. 101, No. 7, Gb

1326 WELTE-MIGNON BEETHOVEN – Menuett, Eb

1328 WELTE-MIGNON CHOPIN- Preludes, Op. 28, No. 6, b; No. 11, B

1574 WELTE-MIGNON MACDOWELL – “Sea Pieces”, Op. 55, #2: From Wandering Iceberg; 3: A.D.

1575 WELTE-MIGNON MACDOWELL – “Sea Pieces”, Op. 55, Nos. 4: Starlight; 5: Song

1582 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 1st & 2nd mvts.

1583 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 3rd & 4th mvts.

1586 WELTE-MIGNON MOZART – Eine kleine Gigue, K. 574, G

HUBERT FLOHR WELTE-MIGNON PIANO ROLLS CDR

3348 WELTE-MIGNON BRAHMS – Scherzo, Op. 4, eb

3351 WELTE-MIGNON MENDELSSOHN – Overture to “A Midsummer Night’s Dream” Op. 17

3352 WELTE-MIGNON WEBER – Overture to the Opera “Preciosa”

3356 WELTE-MIGNON SIBELIUS -”Finlandia”, Op. 26, No. 7

3357 WELTE-MIGNON RAFF – Cachoucha, Caprice, Op. 79, c

3359 WELTE-MIGNON FLOHR – Lenz, Lied Op. 19, 5

IGNACY JAN PADEREWSKI WELTE-MIGNON PIANO ROLLS CDR

1246 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c#”Moonlight” 1 mvt.

1246 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c#”Moonlight” 2 mvt.

1247 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 27, No. 2, c# “Moonlight” 3rd mvt.

1248 WELTE-MIGNON SCHUBERT – Impromptu, Op. 142, No. 3, Bb “Rosamunde”

1249 WELTE-MIGNON CHOPIN – Ballade No. 3, Ab, Op. 47

1251 WELTE-MIGNON CHOPIN – Mazurka, Op. 24, No. 4, b-b

1253 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”

1254 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 3, E “Tristesse”

1255 WELTE-MIGNON CHOPIN – Nocturne, Op. 37, No. 2, G

1256 WELTE-MIGNON CHOPIN – Polonaise, Op. 53, Ab “Heroic”

1257 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 2, c#

1259 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 10, E “Preludio”

1260 WELTE-MIGNON SCHUBERT-LISZT – Die Erlkönig (The Erl-King) Op. 1

1261 WELTE-MIGNON SCHUBERT-LISZT – Hark, Hark! the Lark!

JOSÉ VIANNA DA MOTTA WELTE-MIGNON PIANO ROLLS CDR

715 WELTE-MIGNON SCHUBERT-LISZT – March, b

717 WELTE-MIGNON WEBER – Polacca Brillante, Op. 72, E

719 WELTE-MIGNON CHOPIN Scherzo E-Dur, op. 54 (Chopin)

721 WELTE-MIGNON St. Francis Legend Nr. 1

JOSEF LHEVINNE WELTE-MIGNON PIANO ROLLS 2 CDR

1296 WELTE-MIGNON DE SCHLOZER – Etude de concert, Op. 1, No. 1,  Eb

1297 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 10, b

1298 WELTE-MIGNON GODARD – En route (On the Way) Op. 107, No. 12, Bb

1299 WELTE-MIGNON MENDELSSOHN – Characterstucke, Op. 7, No. 7,  E

1300 WELTE-MIGNON SCRIABIN – Etude, Op. 9, No. 2,  Db (For the Left Hand Alone)

1301 WELTE-MIGNON SCHUMANN – Toccata, Op. 7,  C

1302 WELTE-MIGNON LISZT – Die Lorelei (The Loreley)

1303 WELTE-MIGNON GLUCK-BRAHMS – Gavotte from the Opera “Iphigenie en Aulide”

1304 WELTE-MIGNON A. RUBINSTEIN – Le bal (The Ball), Fantasie, Op. 14, No. 6

1305 WELTE-MIGNON J. STRAUSS, JR.-SCHULZ-EVLER – “Blue Danube” Arabesques

2430 WELTE-MIGNON CZERNY – Octave-Study, Op. 740, No. 5

2431 WELTE-MIGNON A. RUBINSTEIN – Kamennoi-Ostrow, Op. 10, No. 22, f# Reve angelique

2433 WELTE-MIGNON SGAMBATI -Vecchio minuetto, Op. 18, No. 2, Db

2434 WELTE-MIGNON BEETHOVEN-SAINT-SAENS – Chorus of Dervishes from “Ruins  Athens

2435 WELTE-MIGNON MOSZKOWSKI – Dance Form Pieces, Op. 17, No. 2, G Menuett

2437 WELTE-MIGNON A. RUBINSTEIN – “Album de Peterhof”, Op. 79, No. 9, D Prelude

2438 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D

2439 WELTE-MIGNON WEBER – Piano Sonata No. 1, Op. 24, C 4th mvt. “Perpetual Motion”

2440 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 12, c “Arpeggios”

2441 WELTE-MIGNON MEYERBEER-LISZT – Fantasie on Themes from Opera “Robert le Diable”

4060 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part Two

4061 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part One

2436 WELTE-MIGNON A. RUBINSTEIN – Barcarolle No. 6, Op. 104, No. 4, c

JOSEF PEMBAUR WELTE-MIGNON PIANO ROLLS CDR

3264 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 1, d

3265 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 2, D

3266 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 3, b

3267 WELTE-MIGNON BRAHMS – Ballade, Op. 10, No. 4, B

JOZEF SLIWINSKI WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 550 CHOPIN – Nocturne, Op. 62, No. 2, E

WELTE-MIGNON 551 CHOPIN – Impromptu No. 2, Op. 36, F#

WELTE-MIGNON 552 CHOPIN – Impromptu No. 3, Op. 51, Gb

WELTE-MIGNON 553 ROSSINI-LISZT – “Soireés musicales”, No. 10: La Serenata

WELTE-MIGNON 554 SCHUBERT-LISZT – Margaret at the Spinning Wheel

WELTE-MIGNON 557 TCHAIKOVSKY – Piano Sonata, Op. 37, G 2nd mvt.

WELTE-MIGNON 558 TCHAIKOVSKY – Piano Sonata, Op. 37, G 3rd mvt.

WELTE-MIGNON 598 ROSSINI-LISZT – Soireés de Viennes (Vienna Evenings): No. 7, Ab

KÄTHE HEINEMANN WELTE-MIGNON PIANO ROLLS CDR

3842 WELTE-MIGNON KORNGOLD – Fairy Tales, Op. 3, Nos. 5, 6 and 7

3851 WELTE-MIGNON TCHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 1st mvt.

3852 WELTE-MIGNON TCHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 2nd & 3rd mvts.

3853 WELTE-MIGNON THOMAS – Polonaise from the Opera “Mignon”

KONSTANTIN IGUMNOV WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 2061 RACHMANINOFF – Prelude, Op. 23, No. 1, f#

WELTE-MIGNON 2062 RACHMANINOFF – Prelude, Op. 23, No. 6, Eb

WELTE-MIGNON 2063 SCRIABIN – Sonata-Fantasie, Op. 19, No. 2, g#

WELTE-MIGNON 2064 BRAHMS – Intermezzo, Op. 118, No. 6, eb

LAURA DANZIGER WELTE-MIGNON PIANO ROLLS CDR

2456 WELTE-MIGNON LISZT – Gondoliera (Anneés – 2nd Yr. – Italy, Venezia e Napoli, No. 1)

2457 WELTE-MIGNON A. RUBINSTEIN – “Kamennoi-Ostrow” Op.10, #22, f# Rêve Angelique

3556 WELTE-MIGNON OFFENBACH-MOSZKOWSKI – Barcarolle from “The Tales of Hoffmann”

3558 WELTE-MIGNON PIERNE – Serenade, Op. 7, Ab

3744 WELTE-MIGNON MOSZKOWSKI – Près du berceau (By the Cradle) Op. 58, No. 3

3745 WELTE-MIGNON SCHUETT – Romance, Op. 38, No. 2, Gb

LEFF POUISHNOFF WELTE-MIGNON PIANO ROLLS CDR

1959 WELTE-MIGNON RACHMANINOFF – “Fantasy Pieces”, Op. 3, No. 4, f# Polichinelle

7000 WELTE-MIGNON ALBENIZ-GODOWSKY – Tango in D

7013 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”

7033 WELTE-MIGNON DELIBES-DOHNANYI – Flower Waltz from the ballet “Naila”

7049 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E

7123 WELTE-MIGNON SCHUBERT-GODOWSKY – Moment Musical, Op. 94, No. 3, f

7487 WELTE-MIGNON POUISHNOFF – Petite valse; Musical Box (Une tabatière à musique)

7542 WELTE-MIGNON POULENC – Mouvements perpetuels, Nos. 1, 2 and 3

7580 WELTE-MIGNON SCRIABIN – Désir, Op. 57, No. l; Caresse dansée, Op. 57, No. 2

LUCIEN WURMSER WELTE-MIGNON PIANO ROLLS CDR

702 WELTE-MIGNON MOZART – Pastorale variée, Bb

703 WELTE-MIGNON CHOPIN – Berceuse (Cradle Song) Op. 57, Db

704 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 2, c#

709 WELTE-MIGNON GRIEG – Album Leaf, Op. 28, No. 1

OLGA SAMAROFF WELTE-MIGNON PIANO ROLLS CDR

1472 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b  1st & 2nd mvts.

1473 WELTE-MIGNON CHOPIN- Piano Sonata No. 3, Op. 58, b  3rd & 4th mvts.

1474 WELTE-MIGNON WAGNER-LISZT – March from the Opera “Tannhäuser”

1476 WELTE-MIGNON BRAHMS – Rhapsody, Op. 79, No. 2,  g

1478 WELTE-MIGNON GRIEG – Piano Concerto, Op. 16, a   1st mvt.

1479 WELTE-MIGNON GRIEG -”Peer Gynt” Op. 46, Nos. 1 Morning Mood; 2 Aase’s Death

1480 WELTE-MIGNON GRIEG – “Peer Gynt”,Op. 46, Nos. 3 Anitra’s Dance; 4 In the Hall  Mountain King

1481 WELTE-MIGNON FAURE – Impromptu No. 2, Op. 31, f

OTTO NEITZEL WELTE-MIGNON PIANO ROLLS CDR

681 WELTE-MIGNON BACH – Chromatic Fantasy and Fugue, d S. 903

685 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 81, Eb “Les adieux” 1st mvt.

686 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 81, Eb “Les adieux” 2nd 3rd mvts.

690 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Nos. 1, 2, 3, 7, 11 & 12

691 WELTE-MIGNON SCHUMANN – Davidsbündlertänze (David’s League Dances) Nos. 1-18

PAUL STRECKER WELTE-MIGNON PIANO ROLLS CDR

3863 WELTE-MIGNON LIAPOUNOV – Piano Sonata, Op. 27, f 1st mvt.

3865 WELTE-MIGNON LIAPOUNOV – Piano Sonata, Op. 27, f 3rd and 4th mvts.

3869 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 1st mvt.

3870 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 2nd mvt.

3871 WELTE-MIGNON RACHMANINOFF – Piano Sonata No. 2, Op. 36, b-b 3rd mvt.

RAOUL PUGNO WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 541 CHABRIER – “Pièces pittorèsques”, No. 10 Scherzo-valse

WELTE-MIGNON 543 LISZT – Hungarian Rhapsody No. 11, a

WELTE-MIGNON 544 BACH – Prelude and Fugue, f (WTC – Book II, No. 12, S. 881)

WELTE-MIGNON 545 CHOPIN – Grande Polonaise Brilliante, Op. 22b, Eb

WELTE-MIGNON 547 CHOPIN – Fantaisie-Impromptu, Op. 66, c#

WELTE-MIGNON 548 CHOPIN – Nocturne, Op. 15, No. 2, F#

WELTE-MIGNON 1307 GRIEG – To Spring, Op. 43, No. 6 “Lyric Pieces”

WELTE-MIGNON 1308 MOZART – Piano Sonata, K. 576, D 1st mvt.

WELTE-MIGNON 1311 WEBER – La Gaieté, Rondo, Op. 62, Eb

WELTE-MIGNON 1315 SCHUMANN – Faschingschwank aus Wien, Op. 26, Nos. 2 & 3

WELTE-MIGNON 1316 BACH – “Italian” Concerto, F, S. 971 2nd mvt.

RICHARD EPSTEIN WELTE-MIGNON PIANO ROLLS CDR

2254 WELTE-MIGNON PUCCINI – Selections from the Opera “Madama Butterfly”

2255 WELTE-MIGNON PUCCINI – Selections from the Opera “La Boheme”

2260 WELTE-MIGNON SAINT-SAENS – My Heart at Thy Sweet Voice from “Samson et Dalila”

2261 WELTE-MIGNON Wiener Walzer

2269 WELTE-MIGNON BEETHOVEN – German Dance No. 1, C

2902 WELTE-MIGNON J. STRAUSS, JR. – Roses from the South – Waltzes, Op. 388

2907 WELTE-MIGNON J. STRAUSS, JR. – Morgenblätter (Morning Papers) – Waltzes, Op. 279

2908 WELTE-MIGNON MASSENET – Selections from the Opera “Manon”

TERESA CARREÑO THE COMPLETE WELTE-MIGNON PIANO ROLLS 2 CDR

367 WELTE-MIGNON Ballade No. 1, Op. 23, g (Chopin) 

369 WELTE-MIGNON Ballade No. 3, Op. 47, Ab (Chopin) 

370 WELTE-MIGNON By the Seashore, Concert Etude, Op. 17 (Smetana) 

361 WELTE-MIGNON Fantasia, Op. 17, C (Schumann)

362 WELTE-MIGNON Fantasia, Op. 17, C (Schumann) 

363 WELTE-MIGNON Fantasia, Op. 17, C (Schumann) 

365 WELTE-MIGNON Hungarian Rhapsody No. 6, Db (Liszt) 

371 WELTE-MIGNON Mi Teresita – Little Waltz, D (Carreño) 

364 WELTE-MIGNON Nocturne, Op. 37, No. 2, G (Chopin) 

366 WELTE-MIGNON Nocturne, Op. 48, No. 1, c (Chopin) 

372 WELTE-MIGNON Piano Sonata, Op. 53, C “Waldstein” 1st mvt. (Beethoven) 

373 WELTE-MIGNON Piano Sonata, Op. 53, C “Waldstein” 2nd  & 3rd mvts. (Beethoven) 

360 WELTE-MIGNON Soireés de Viennes (Vienna Evenings) No. 6, a (Schubert-Liszt) 

368 WELTE-MIGNON Sonetto 47 del Petrarca, Db (Annees de Pelerinage – 2nd Yr. Italy,, #4) (Liszt) 

THEODOR LESCHETIZKY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1192 WELTE-MIGNON MOZART – Fantasia, K. 396, c

1193 WELTE-MIGNON HELLER – Preludes, Op. 81, No. 3, G; No. 10, c#

1194 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db

1195 WELTE-MIGNON CHOPIN – Polonaise, Op. 71, No. 2, Bb (Posthumous)

1196 WELTE-MIGNON LESCHETIZKY – Barcarolle, Op. 39, No. 1, a

1197 WELTE-MIGNON LESCHETIZKY – La source (The Spring) Etude, Op. 36, No. 4, A

1198 WELTE-MIGNON LESCHETIZKY – Arabesque, en forme d’étude, Op. 45, No. 1, Ab

1199 WELTE-MIGNON LESCHETIZKY – L’Aveu (The Secret) Op. 31, No. 1, Ab

1200 WELTE-MIGNON LESCHETIZKY – Wellen und Wogen (Waves and Billows) Op. 40, #1,e

1201 WELTE-MIGNON LESCHETIZKY – Mazurka, Op. 24, No. 2, Eb

1202 WELTE-MIGNON LESCHETIZKY – Canzonetta Toscana, Op. 39, No. 3, f

1203 WELTE-MIGNON LESCHETIZKY – Les deux alouettes (Two Larks) Op. 2, No. 1, Ab

VLADIMIR DE PACHMANN WELTE-MIGNON PIANO ROLLS 2 CDR

7227 WELTE-MIGNON Ballade In A Flat Major (Chopin) 

7204 WELTE-MIGNON Impromptu In Flat Major Op. 36 (Chopin) 

7244, 7245, 7246 WELTE-MIGNON  Italian Concerto In F Major (Bach) 1st 2nd 3rd Movements 

7206 WELTE-MIGNON Mazurka In A Flat Major Op. 50 No. 2 (Chopin) 

1222 WELTE-MIGNON Mazurka in A Minor Op. 67 No. 4 (Chopin) 

1221 WELTE-MIGNON Mazurka In C Major Op. 56 No. 2 (Chopin) 

1220 WELTE-MIGNON Minute Waltz In D Flat Major Op. 64 No. 1 (Chopin) 

1211 WELTE-MIGNON Moment Musical In F Minor Op. 94 No. 3 (Schubert) 

7263 WELTE-MIGNON Nocturne In B Minor Op. 32 No. 1 (Chopin) 

7202 WELTE-MIGNON Nocturne in C Sharp Minor Op. 27 No. 1 (Chopin) 

1214 WELTE-MIGNON Prelude In F Major Op. 28 No. 23 (Chopin) 

7201 WELTE-MIGNON Rigoletto Paraphrase (Verdi – Liszt) 

1206 WELTE-MIGNON Rondo A La Turk K.331 (Mozart) 

1209 WELTE-MIGNON Songs Without Words No. 25 In G Major Op. 62 No. 1 (Mendelssohn) 

7209 WELTE-MIGNON Waltz In C Sharp Minor Op. 64 No. 2 (Chopin) 

7228 WELTE-MIGNON Waltz In F Major Op. 34 No. 3 (Chopin)

VLADIMIR DROZDOV WELTE-MIGNON PIANO ROLLS CDR

1953 WELTE-MIGNON DROZDOV – Marionettentanz (Marionette Dance) D-Dur.

1955 WELTE-MIGNON TCHAIKOVSKY – Meditation, Op. 72, No. 5, D

1957 WELTE-MIGNON LIAPOUNOFF – Transcendental Etudes, Op. 11, No. 3 Carillon

WANDA LANDOWSKA WELTE-MIGNON AND DUO-ART PIANO ROLLS CDR

962 WELTE-MIGNON SCHUBERT-LANDOWSKA – Walzerkette (Chain of Waltzes)

963 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 1, Db “Minute”

964 WELTE-MIGNON CHOPIN – Waltz, Op. 69, No. 2, b

965 WELTE-MIGNON BERLIOZ-LANDOWSKA – Danse des sylphs fr “La Damnation de Faust”

XAVER SCHARWENKA WELTE-MIGNON PIANO ROLLS CDR

232 WELTE-MIGNON MENDELSSOHN – Caprice (Fantasie) Op. 16, No. 2, e

236 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 90, e

239 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 53, f, “Appassionata” lst mvt.

241 WELTE-MIGNON CHOPIN – Fantaisie, Op. 49, f

242 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#

244 WELTE-MIGNON LISZT – Transcendental Etude – No. 9, Ab Ricordanza (Recollection)

245 WELTE-MIGNON CHOPIN – Waltz, Op. 42, Ab

248 WELTE-MIGNON SCHUMANN – Kreisleriana, Op. 16, Nos. 1-8

YOLANDA MERO WELTE-MIGNON PIANO ROLLS CDR

757 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 2, c#

762 WELTE-MIGNON TCHAIKOVSKY-LISZT – Polonaise from the Opera “Eugen Onegin”

763 WELTE-MIGNON VOGRICH – Staccato-Caprice, F#

764 WELTE-MIGNON BACH – Prelude and Fugue, b-b (WTC – Book II, No. 22, S. 891)

1828 WELTE-MIGNON DOHNANYI – Rhapsody, Op. 11, No. 3, C

1829 WELTE-MIGNON HEYMANN – Elfenspiel, Concertstudie für Pianoforte E-Dur Op. 7

2537 WELTE-MIGNON CHAMINADE – Automne (Autumn) Etude de concert, Op. 35, No. 2

2538 WELTE-MIGNON CHAMINADE – Elévation, Romance sans paroles, Op. 76, No. 2

2539 WELTE-MIGNON CHAMINADE – Arléquine (Harlequin) Op. 53, F

2540 WELTE-MIGNON CHAMINADE – La lisonjera (The Flatterer) Op. 50

2541 WELTE-MIGNON CHAMINADE – Les sylvains (The Fauns) Op. 60, D

ALEXANDER GLAZUNOV WELTE-MIGNON PIANO ROLLS CDR

1937 WELTE-MIGNON GLAZOUNOV – Prelude, 49, No. 1

1938 WELTE-MIGNON GLAZOUNOV – Prelude, Op. 25, No. 1, D

1939 WELTE-MIGNON GLAZOUNOV – Piano Sonata No. 1, Op. 74, Bb 2nd mvt.

1940 WELTE-MIGNON GLAZOUNOV – Prelude / Romanesca et al. from ballet “Raymonda”

1941 WELTE-MIGNON GLAZOUNOV – Valse fantastique; Hymne from “Raymonda”

1942 WELTE-MIGNON GLAZOUNOV – Entracte; Variation #3 from “Raymonda”, Op. 57

1944 WELTE-MIGNON GLAZOUNOV – Recitative; Gavotte; etc.from”Ruses d’amour”Op.61

1945 WELTE-MIGNON GLAZOUNOV – Barcarolle; Baccanale etc. from”The Seasons”Op. 67

1946 WELTE-MIGNON GLAZOUNOV – Petit adagio from the ballet “The Seasons” Op. 67

RICHARD STRAUSS THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1182 WELTE-MIGNON R. STRAUSS – Fragments from the Opera “Salomé”

1183 WELTE-MIGNON R. STRAUSS – Dance of the Seven Veils from the Opera “Salomé”

1184 WELTE-MIGNON R. STRAUSS – “Ein Heldenleben” (A Hero’s Life), Op. 40 Love Scene

1185 WELTE-MIGNON R. STRAUSS – Love Scene from the Opera “Feuersnot” Op. 50

1186 WELTE-MIGNON R. STRAUSS – On the Silent Woodland Path, Op. 9, No. 1

1187 WELTE-MIGNON R. STRAUSS – By a Lonely Spring, Op. 9, No. 2

1188 WELTE-MIGNON R. STRAUSS – Intermezzo, Op. 9, No. 3, A

1189 WELTE-MIGNON R. STRAUSS – Reverie, Op. 9, No. 4

1190 WELTE-MIGNON R. STRAUSS – Cäcilie, Op. 27, No. 2, C

1191 WELTE-MIGNON R. STRAUSS – Heimliche Aufforderung, Op. 27, No. 3, B

RUDOLF SERKIN WELTE-MIGNON PIANO ROLLS CDR

4182 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 1st mvt.

4182 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 2nd mvt.

4183 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 3rd mvt.

4183 WELTE-MIGNON SCHUBERT – Piano Sonata, D. 958, c (Posthumous) 4th mvs.

4184 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part One

4185 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part Two

4186 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Aria da capo

4186 WELTE-MIGNON BACH – “Goldberg” Variations (Aria with 30 Variations), S. 988 Part Three

4188 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 11, a “Winter Wind”

4188 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 4, c#

4188 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 2, f;

4190 WELTE-MIGNON JOS. STRAUSS-GRUNFELD – “Delirien” Waltzes

 

RUGGERO LEONCAVALLO THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1020 WELTE-MIGNON LEONCAVALLO – Intermezzo from the Opera “I Pagliacci”

1022 WELTE-MIGNON LEONCAVALLO – Prelude to the Opera “I Medici”

1023 WELTE-MIGNON LEONCAVALLO – Musetta’s Waltz Song fr Opera “La Boheme”

1024 WELTE-MIGNON LEONCAVALLO – Romance, a

1025 WELTE-MIGNON LEONCAVALLO – Au bord du lac (On the Lake Shore)

1026 WELTE-MIGNON LEONCAVALLO – Flirt Waltz

HUGO POPPER HERMANN MÖHLE WELTE-MIGNON PIANO ROLLS CDR

HUGO POPPER WELTE-MIGNON 214 ROSENZWEIG – Sei mir gut, Walzerlied a.d. Operette (Waltz-Song)

HUGO POPPER WELTE-MIGNON 229 EYSLER – Bruder Straubinger Küssen is ka Sünd, Walzer a. d. Operette

HUGO POPPER WELTE-MIGNON 1053 FOLKSONG O du fröhliche, o du selige. Weihnachtslied (Oh Thou Joyous, Oh Thou Blessed, German Christmas Carol)

HUGO POPPER WELTE-MIGNON 1055 FOLKSONG O Tannenbaum, Weihnachtslied

HERMANN MÖHLE WELTE-MIGNON 213 GRIEG – Jeg elsker Dig (I Love but Thee) Op. 41, No. 3

HERMANN MÖHLE WELTE-MIGNON 231 MENDELSSOHN – Morning Song, Op. 62, No. 4, G (Songs Without Words)

 

ENGELBERT HUMPERDINCK WILHELM KIENZL FELIX WEINGARTNER WELTE-MIGNON PIANO ROLLS CDR

646 ENGELBERT HUMPERDINCK HUMPERDINCK – Dream Scene from Opera “Hänsel und Gretel”

647 ENGELBERT HUMPERDINCK HUMPERDINCK- Menuet from the Opera “The Forced Marriage”

650 ENGELBERT HUMPERDINCK HUMPERDINCK – Rosenringel from the Opera “Königskinder”

652 FELIX WEINGARTNER BEETHOVEN – Piano Sonata, Op. 109, E 1st and 2nd mvts.

750 WILHELM KIENZL KIENZL – Kinderreigen from the Opera “Der Evangelimann” Op. 45

751 WILHELM KIENZL KIENZL – Blessed are the Martyrs from the Opera “Der Evangelimann”

 

ARTHUR NIKISCH THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1085 WELTE-MIGNON BRAHMS – Hungarian Dance No. l, g

1086 WELTE-MIGNON BRAHMS – Hungarian Dance No. 4, f#

1087 WELTE-MIGNON BRAHMS – Hungarian Dance No. 5, f#

1088 WELTE-MIGNON BRAHMS – Hungarian Dance No. 6, Db

1089 WELTE-MIGNON DELIBES – Valse from the ballet “Coppélia”

CAMILLE SAINT-SAËNS WELTE-MIGNON PIANO ROLLS CDR

796 WELTE-MIGNON SAINT-SAËNS – Valse nonchalante, Op. 110, Db

797 WELTE-MIGNON SAINT-SAËNS – Printemps qui commence from “Samson et Dalila”

799 WELTE-MIGNON SAINT-SAËNS – Mazurka No. 3, Op. 66, b

800 WELTE-MIGNON SAINT-SAËNS – Rhapsodie d’Auvergne, Op. 73, C

801 WELTE-MIGNON SAINT-SAËNS – “Suite Algérienne”, Op. 60, No. 3:  Réverie à Blidah

802 WELTE-MIGNON SAINT-SAËNS – Gavotte, Op. 90, F

804 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 31, No. 1, G  2nd mvt.

807 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 2, F#

FELIX MOTTL THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1345 WELTE-MIGNON WAGNER – Prelude to the Opera “Lohengrin”

1346 WELTE-MIGNON WAGNER – Prelude to the Opera “Parsifal”

1347 WELTE-MIGNON WAGNER – Prelude to the Opera “Tristan und Isolde”

1348 WELTE-MIGNON WAGNER – Elsa’s Bridal Chorus from the Opera “Lohengrin”

1349 WELTE-MIGNON WAGNER – Elsa’s Dream from the Opera “Lohengrin”

1350 WELTE-MIGNON WAGNER – Good Friday Music from the Opera “Parsifal”

1351 WELTE-MIGNON WAGNER – O sink hernieder; Brangänes Warning from Tristan und Isolde”

1352 WELTE-MIGNON WAGNER – Am stillen Herd (By Quiet Hearth) from “Die Meistersinger”

1353 WELTE-MIGNON WAGNER – Quintet from the Opera “Die Meistersinger”

1354 WELTE-MIGNON WAGNER – Transformation Scene; Arrival of the Knights from “Parsifal”

EMIL PAUR WELTE-MIGNON PIANO ROLLS CDR

2555 WELTE-MIGNON BRAHMS – Intermezzo, Op. 117, No. 2, b-b

2556 WELTE-MIGNON MASSENET – Fantasie on the Meditation from the Opera “Thais”

2557 WELTE-MIGNON DONIZETTI – Fantasie on Themes from the Opera “Lucia di Lammermoor”

2560 WELTE-MIGNON PUCCINI – Fantasie on Themes from the Opera “La Tosca”

2565 WELTE-MIGNON WAGNER – Siegfried’s Funeral March from the Opera “Die Götterdämmerung”

2566 WELTE-MIGNON WAGNER – Waldweben (Forest Murmurs) from the Opera “Siegfried”

2568 WELTE-MIGNON WAGNER – Introduction to Act III of “Tannhäuser” (Pilgrimage)

CLAUDE DEBUSSY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

2733 WELTE-MIGNON DEBUSSY – Children’s Corner, Nos. 1-6

2734 WELTE-MIGNON DEBUSSY – D’un cahier d’esquisses (From a Book of Sketches) Db

2735 WELTE-MIGNON DEBUSSY – Estampes (Prints), No. 2 La soirée dans Grenade

2736 WELTE-MIGNON DEBUSSY – Valse – la plus que lente (Slower-than-Slow…Waltz)

2738 WELTE-MIGNON DEBUSSY – Préludes, Book I, Nos. 1, 10 and 11

2739 WELTE-MIGNON DEBUSSY – Préludes, Book I, Nos. 3 and 12

ALEXANDER SCRIABIN THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

2067 WELTE-MIGNON SCRIABIN – Preludes, Op. 11, No. 1, C; No. 2, a

2068 WELTE-MIGNON SCRIABIN – Poème, Op. 32, No. 1, F#

2069 WELTE-MIGNON SCRIABIN – Preludes, Op. 11, No. 13, Gb; No. 14, eb

2071 WELTE-MIGNON SCRIABIN – Désir (Desire) Op. 57, No. 1

2072 WELTE-MIGNON SCRIABIN – Prelude, Op. 22, No. 1; Mazurka, Op. 40, No. 2, f#

2073 WELTE-MIGNON SCRIABIN – Etude, Op. 8, No. 12, d# “Pathétique”

JOSEF HOFMANN WELTE-MIGNON PIANO ROLLS CDR

662 WELTE-MIGNON WAGNER-LISZT – Overture to the Opera “Tännhauser”

663 WELTE-MIGNON WAGNER-BRASSIN – Magic Fire Music from the Opera “Die Walküre”

665 WELTE-MIGNON SCHUBERT-LISZT – Die Erlkönig (The Erl-King) Op. 1

666 WELTE-MIGNON MOSZKOWSKI – Caprice espagñole (Spanish Caprice) Op. 37, a

668 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db

669 WELTE-MIGNON CHOPIN – Polonaise, Op. 44, f#

3026 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 101, A lst and 2nd mvts.

3027 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 101, A 3rd mvt.

3031 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E

OSSIP GABRILOWITSCH WELTE-MIGNON PIANO ROLLS CDR

295 WELTE-MIGNON TCHAIKOVSKY – “The Months”, Op. 37a, No. 10, d October

296 WELTE-MIGNON RAFF- Rigaudon, Op. 204, No. 3, D

297 WELTE-MIGNON GABRILOWITSCH – Caprice Burlesque, Op. 3, No. 1, Gb

301 WELTE-MIGNON CHOPIN – Nocturne, Op. 15, No. 1, F

ALFRED GRÜNFELD THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

174 WELTE-MIGNON CHOPIN – Nocturne, Op. 48, No. l, c

185 WELTE-MIGNON BEETHOVEN – Andante favori, WoO 57, F

187 WELTE-MIGNON SCHUMANN – Novellette, Op. 21, No. l, F

188 WELTE-MIGNON WAGNER-LISZT – Liebestod (Love-Death) from “Tristan und Isolde”

189 WELTE-MIGNON SCHUBERT-FISCHHOF- Ballet Music, Op. 26 from “Rosamunde”

190 WELTE-MIGNON GRUNFELD – Valse mignonne, Op. 51, No. 4, Ab

191 WELTE-MIGNON GRUNFELD – Romance, Op. 42, No. l, Db

192 WELTE-MIGNON J. STRAUSS, JR.-GRUNFELD – Voices of Spring – Waltzes, Op. 410

193 WELTE-MIGNON GRUNFELD – Dinner Waltz from the Opera “Der Lebemann”

194 WELTE-MIGNON CHOPIN – Nocturne, Op. 32, No. 1, B

197 WELTE-MIGNON VOLKMANN-FISCHHOF – Serenade No. 2 Waltz

207 WELTE-MIGNON SCHUMANN – “Fantasiestücke”, Op. 12, No. 1 Des Abends (Evening)

222 WELTE-MIGNON SCHUBERT – Impromptu, Op. 142, No. 2, Ab

225 WELTE-MIGNON SCHUMANN – “Kinderscenen”, Op. 15, No. 7 Träumerei (Dreaming)

243 WELTE-MIGNON GRUNFELD – Romance, Op. 45, No. 1, F#

GERMAINE SCHNITZER WELTE-MIGNON PIANO ROLLS CDR

895 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 9, Eb “Pester Karneval”

899 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 11, a “Winter Wind”

906 WELTE-MIGNON SAINT-SAENS – Toccata, Op. 111, No. 6, F

RICHARD BUHLIG WELTE-MIGNON PIANO ROLLS CDR

1765 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 3 Poissons d’or (Goldfish)

1766 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 2: Et la lune descend sur temple / fut

1767 WELTE-MIGNON DEBUSSY – Images, 1st Series, No.1 Reflets dans l’eau (Reflections Water)

1768 WELTE-MIGNON DEBUSSY – Images, lst Series, No. 2: Hommage à Rameau (Tribute)

1769 WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 1 Cloches a travers les feuilles

ARTHUR DE GREEF WELTE-MIGNON PIANO ROLLS CDR

1168 WELTE-MIGNON SCHUMANN – Papillons, Op. 2

1180 WELTE-MIGNON WAGNER-BRASSIN – Siegmund’s Love Song from Opera “Die Walküre”

1181 WELTE-MIGNON WAGNER-BRASSIN – Entrance into Valhalla from Opera “Das Rheingold”

EDVARD GRIEG THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1275 WELTE-MIGNON GRIEG – Papillon (Butterfly) Op. 43, No. 1 “Lyric Pieces”

1276 WELTE-MIGNON GRIEG – “From Folk Life”, Op. 19, No. 2 Norwegian Bridal Procession

1277 WELTE-MIGNON GRIEG – Little Bird, Op. 43, No. 4 “Lyric Pieces”

CARL FRIEDBERG WELTE-MIGNON PIANO ROLLS CDR

1094 WELTE-MIGNON SCHUBERT – Moment Musical, Op. 94, No. 3, f

1095 WELTE-MIGNON BRAHMS – Rhapsody, Op. 79, 2, g

1096 WELTE-MIGNON BRAHMS – Hungarian Dance No. 2, d

1097, 1098 WELTE-MIGNON SCHUBERT – Piano Sonata, Bb (Posthumous) D. 960 2nd mvt.

1100 WELTE-MIGNON SCHUETT – Scènes du bal – Valse lente, Op. 17, No. 2, Ab

1101 WELTE-MIGNON KOSTLAR Monte Christo, Vals

ERNEST SCHELLING WELTE-MIGNON PIANO ROLLS CDR

1442 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 57, f, “Appassionata” 1st mvt.

1443 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 57, f, “Appassionata” 2nd mvt.

1445 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 10, Ab

1446 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 3, F

1447 WELTE-MIGNON CHOPIN – Preludes, Op. 28, Nos. 1, C,  21, Bb

1450 WELTE-MIGNON DEBUSSY – Estampes, No. 2 La soirée dans Grenade (Evening in Granada)

1451 WELTE-MIGNON DEBUSSY – Suite – Pour le piano – No. 3 Toccata

1453 WELTE-MIGNON SCHELLING – Romance, c#

SANDRA DROUCKER WELTE-MIGNON PIANO ROLLS CDR

265 WELTE-MIGNON CHOPIN – Scherzo No. 3, Op. 39, c#

266 WELTE-MIGNON CHOPIN – Nocturne, Op. 37, No. 2, G

270 WELTE-MIGNON SCHUMANN – Arabesque, Op. 18, C

271 WELTE-MIGNON TCHAIKOVSKY – Momento lirico (Lyrical Moment)

274 WELTE-MIGNON LISZT- Gnomenreigen (Gnomes’ Round Dance) – Concert Etude No. 2, f

 

LAZZARO UZIELLI THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

1118 WELTE-MIGNON MOZART – Fantasia, K. 396, c

1121 WELTE-MIGNON TRAD.-UZIELLI – Old French Gavotte, c

1124 WELTE-MIGNON CHOPIN – Waltz, Op. 64, No. 3, Ab

1127 WELTE-MIGNON CHAMINADE – (Air de ballet) Op. 41, Eb: Pierrette

1133 WELTE-MIGNON GODARD – Gavotte, Op. 16, No. 3, B

ALFRED HOEHN WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 3290, 3291 BEETHOVEN – Piano Sonata, Op. 7, Eb 1st, 2nd, 3rd and 4th mvts.

WELTE-MIGNON 3292, 3293, 3294 BEETHOVEN – Piano Sonata, Op. 106, Bb “Hammerklavier” lst, 2nd, 3rd mvt. & 4th mvts.

WELTE-MIGNON 3299 BRAHMS – Piano Sonata No. 3, Op. 5, f 3rd & 4th mvts. “Rückblick”

WELTE-MIGNON 3303 RAMEAU – Gavotte with Variations, a

WELTE-MIGNON 3296 BEETHOVEN – Variations and Fugue, Op. 35, Eb “Eroica” Part 11

ANATOL VON ROESSEL WELTE-MIGNON PIANO ROLLS CDR

195 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 7, c#

234 WELTE-MIGNON RACHMANINOFF – “Fantasy Pieces”, Op. 3, No. 2, c# Prelude

304 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 5, e “Héroide-Elégiaque”

309 WELTE-MIGNON J. STRAUSS, JR.-GOLDSTEIN – (Thousan d & One Nights, Op. 346)

1045 WELTE-MIGNON SCHUMANN-LISZT – Widmung (Dedication) Op. 25, No. 1

WALTER GIESEKING WELTE-MIGNON PIANO ROLLS CDR

3820, 3821 BACH – “Italian” Concerto S.971 1st and 2nd mvts.

3821 BACH – “Italian” Concerto S.971 3rd mvt.

3822 BACH – Partiten für Cembalo (Clavierübung I), Allemande, Courante u. Sarabande a. d. Partita I, BWV 825 B-Dur.

3823 BEETHOVEN-GIESEKING-Violin Sonata, Op. 47 “Kreutzer” 1st mvt.

3824 BEETHOVEN-GIESEKING-Violin Sonata, Op. 47 “Kreutzer” 2nd mvt.

3826 DEBUSSY – Masques

3827 DEBUSSY – Images, Series I, No. 2 Hommage à Rameau (Tribute)

3829 LISZT – Hungarian Rhapsody No. 14, f

3832 SCHONBERG – Six Little Piano Pieces, Op. 19

7329 DEBUSSY – Préludes, Book I, Nos. 11 La danse de Puck; 12 Minstrels

7606 DEBUSSY – Préludes, Book I, No. 1 Danseuses de Delphes

IRÈNE ENERI-GORAINOFF WELTE-MIGNON PIANO ROLLS CDR

2000 WELTE-MIGNON MENDELSSOHN – Rondo Capriccioso, Op. 14, E

2159 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 1st mvt.

2160 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 2nd mvt. Romanza

2161 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, e, Op. 11 3rd mvt.

EGON PETRI WELTE-MIGNON PIANO ROLLS CDR

514 WELTE-MIGNON LISZT – “Paganini” Etude No. 5, E La chasse (The Hunt)

518 WELTE-MIGNON LISZT – Les jeux d’eaux à la Villa Este (Anneés  Pelèrinage- 3rd Yr. Italy, No. 4)

520 WELTE-MIGNON ALKAN – Ancient Melody of the Synagogue, Op. 31

525 WELTE-MIGNON SCHUMANN – Variations on the name A-B-E-G-G, Op. 1

527 WELTE-MIGNON BEETHOVEN – Thirty-Two Variations on an Original Theme, c, WoO 80

FRANK MARSHALL WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 4011 ALBENIZ – Pavana-Capricho, Op. 12

WELTE-MIGNON 4012 ALBENIZ – “Celebre” Serenata Española

WELTE-MIGNON 4016 ALBENIZ – Preludio, Op. 232, No. 1 from “Cantos de Espana”

WELTE-MIGNON 4017 CHAVARRI – Leyenda del Castillo Moro (Legen d of a Moorish Castle)

TOSTA DI BENICI WELTE-MIGNON PIANO ROLLS CDR

2620 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 7, c#

2621 WELTE-MIGNON CHOPIN – Etude, Op. 10, No. 5 “Black Key”

2622 WELTE-MIGNON CHOPIN – Prelude, Op. 28, No. 18, f

2624 WELTE-MIGNON GRIEG – Erotik, Op. 43, No. 5 “Lyric Pieces”

2627 WELTE-MIGNON KJERULF – Berceuse (Cradle Song), Op. 4

2630 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 11, a Lento à capriccio

2632 WELTE-MIGNON SAINT-SAENS – Romance sans paroles (Romance without Words), b

2635 WELTE-MIGNON SIBELIUS – Romance, Op. 24, No. 9, Db

2637 WELTE-MIGNON SINDING – Frühlingsrauschen (Rustle of Spring) Op. 32, No. 3, Db

2638 WELTE-MIGNON SINDING – Serenade, Op. 33, No. 4

EMIL VON SAUER THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

876 WELTE-MIGNON MOZART-LISZT – Fantasia on Themes from “Don Giovanni”

877 WELTE-MIGNON LISZT – Transcendental Etudes – No. 4, d Mazeppa

879 WELTE-MIGNON CHOPIN – Nocturne, Op. 27, No. 2, Db

880 WELTE-MIGNON CHOPIN – Bolero, Op. 19, C

881 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 9, Gb “Butterfly”

882 WELTE-MIGNON MENDELSSOHN-LISZT – On Wings of Song (Auf Flügeln des Gesänges)

883 WELTE-MIGNON SAUER – Echo de Vienne – Valse de concert, D

885 WELTE-MIGNON SAUER – Concert Etude No. 6, b  The Aspen Leaf

886 WELTE-MIGNON SAUER – Concert Etude No. 7, E Flammes de mer (Glitter of the Sea)

EDWIN FISCHER WELTE-MIGNON PIANO ROLLS CDR

1837 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 1st mvt.

1838 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 2nd mvt.

1838 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 13, c “Pathétique” 3rd mvt.

1839 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 1st mvt.

1839 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D2nd mvt.

1840 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 3rd mvt.

1840 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 10, No. 3, D 4th mvt.

1841 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 1st mvt.

1841 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 2nd mvt.

1842 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 110, Ab 3rd mvt.

1842 BEETHOVEN – Piano Sonata, Op. 110, Ab 4th mvt.

1843 WELTE-MIGNON MOZART – Fantasia, K. 396, c

ELLY NEY THE COMPLETE WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 1105 BEETHOVEN – Piano Sonata, Op. 110, Ab 1st mvt.

WELTE-MIGNON 1106 HANDEL – Chaconne, G

WELTE-MIGNON 1107 CHOPIN – Etude, Op. 25, No. 7, c#

WELTE-MIGNON 1108 BRAHMS – Piano Sonata No. 3, Op. 5, f 2nd mvt.

WELTE-MIGNON 1112 LISZT – Hungarian Rhapsody No. 8, f# “Capriccio”

WELTE-MIGNON 1113 BRAHMS – Romance, Op. 118, No. 5, f

WELTE-MIGNON 1114 A. RUBINSTEIN – Gavotte, Op. 38, No. 5, F#

WELTE-MIGNON 1116 DELIBES – Pas de fleurs (Flower Waltz) from the ballet “Naila”

GOTTFRIED GALSTON WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 587 BRAHMS – Waltzes, Op. 39, Nos. 1, B; 2, E

WELTE-MIGNON 589 BRAHMS – Waltzes, Op. 39, Nos. 6, A; 11, b

WELTE-MIGNON 592 BRAHMS – Walzer Op. 39, No. 15 As-Dur & Op. 39, No. 16.

WELTE-MIGNON 594 CHOPIN – Etude, Op. 10, No. 12, c “Revolutionary”

GEORG LIEBLING WELTE-MIGNON PIANO ROLLS CDR

3927 WELTE-MIGNON BEETHOVEN – Piano Concerto No. 5, Op. 73, Eb “Emperor” 2nd mvt.

3927 WELTE-MIGNON BEETHOVEN – Piano Concerto No. 5, Op. 73, Eb “Emperor” 3rd mvt.

3928 WELTE-MIGNON LISZT – Hungarian Rhapsody No. 4, Eb

3931 WELTE-MIGNON NIEMANN – Playing Waters, Op. 69

7652 WELTE-MIGNON VARIOUS-LIEBLING – Opera Reminiscences – Series No. 4

7693 WELTE-MIGNON J. STRAUSS, JR.-LIEBLING – “Strauss Reminiscences”

7706 WELTE-MIGNON VARIOUS-LIEBLING – Opera Reminiscences – Series No. 5

MARK HAMBOURG WELTE-MIGNON PIANO ROLLS CDR

931 WELTE-MIGNON CHOPIN – Mazurka, Op. 17, No. 4, a

934 WELTE-MIGNON A. RUBINSTEIN-Le bal (The Ball)-Valse de concert, Op. 14, No. 4, Ab

936 WELTE-MIGNON LISZT – Polonaise No. 2, E

DAVID SCHORR WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 2086 SCHUMANN – Schlummerlied (Slumber Song) Op. 124, No. 16, Eb

WELTE-MIGNON 2088 C.P.E. BACH – Rondo, b

WELTE-MIGNON 2089 BACH-SAINT-SAENS – Gavotte from the Violin Concerto #2, b 2nd mt.

WASSILY SAPELLNIKOFF WELTE-MIGNON PIANO ROLLS CDR

WELTE-MIGNON 939 J. STRAUSS,JR. – TAUSIG-Nachtfalter (The Moth) Op. 157, E

WELTE-MIGNON 951 LISZT – Liebestraum (Nocturne) No. 1, Ab “ Hohe Liebe” (Exalted Love)

WELTE-MIGNON 953 ROSSINI-LISZT – Overture to the Opera “William Tell”

ALEXANDER GOLDENWEISER M. DOULOFF WELTE-MIGNON PIANO ROLLS CDR

ALEXANDER GOLDENWEISER WELTE-MIGNON 2080 MOZART – Piano Sonata, K. 330, C 2nd mvt.

ALEXANDER GOLDENWEISER WELTE-MIGNON 2081 SCRIABIN – Mazurka, Op. 40, No. 2, F#

MIKHAIL DOULOFF WELTE-MIGNON 2016 TCHAIKOVSKY – Fantasie on Themes from the Opera “Eugen Onegin”

MIKHAIL DOULOFF WELTE-MIGNON 2018      GLINKA – Fantasie on Themes from the Opera “A Life for the Tsar”

BERTHE MARX-GOLDSCHMIDT WELTE-MIGNON PIANO ROLLS CDR

811 WELTE-MIGNON GLUCK-BRAHMS – Gavotte from Opera “Iphigénie in Aulis”

814 WELTE-MIGNON SARASATE-GOLDSCHMIDT – Zigeunerweisen (Gypsy Airs)

GISELLA GROSZ WELTE-MIGNON PIANO ROLLS CDR

1063 WELTE-MIGNON SCHUMANN – Piano Sonata No. 2, Op. 22, g 2nd mvt.

1064 WELTE-MIGNON SCHUMANN – Piano Sonata No. 2, Op. 22, g 3rd mvt.

SUZANNE GODENNE WELTE-MIGNON PIANO ROLLS CDR

2919 WELTE-MIGNON CHOPIN – Andante spianato and Grande Polonaise, Op. 22, Eb

2920 WELTE-MIGNON DEBUSSY – “Suite Bergamasque” No. 3: Clair de lune (Moonlight)

2928 WELTE-MIGNON MOSZKOWSKI – Complainte, Op. 87

2930 WELTE-MIGNON PUGNO – “Tintements de clochette”: Paysages (Landscapes)

MAX VON PAUER WELTE-MIGNON PIANO ROLLS CDR

837 WELTE-MIGNON BEETHOVEN – Andante favori, WoO 57, F

839 WELTE-MIGNON MENDELSSOHN – Sadness of Soul, Op. 53, No. 4, F (Songs w / o Words)

842 WELTE-MIGNON LISZT – Harmonies Poétiques – No. 3: Bénédiction de Dieu dans la solitude

844 WELTE-MIGNON LISZT – Transcendental Etudes – No. 11, Db Harmonies du soir

TERESITA TAGLIAPIETRA-CARREÑO WELTE-MIGNON PIANO ROLLS CDR

1148 WELTE-MIGNON BRAHMS – Piano Sonata No. 3, Op. 5, f 1st mvt.

1149 WELTE-MIGNON BRAHMS – Piano Sonata No. 3, Op. 5, f 3rd mvt.

ARTHUR FRIEDHEIM WELTE-MIGNON PIANO ROLLS CDR

186 WELTE-MIGNON LISZT – “Paganini” Etude No. 2, Eb Octave Study

198 WELTE-MIGNON LISZT- Hungarian Rhapsody No. 12, c#

214 WELTE-MIGNON LISZT – Ballade No. 2, b

228 WELTE-MIGNON MENDELSSOHN – Sadness of Soul, Op. 53, No. 4, F (Songs w  oWords)

RAOUL VON KOCZALSKI WELTE-MIGNON PIANO ROLLS CDR

3971 WELTE-MIGNON CLEMENTI – Toccata, Bb

3972 WELTE-MIGNON SCHUMANN-LISZT – Frühlingsnacht (Spring Night) Op. 39, #12

3974 WELTE-MIGNON CHOPIN – Klavierkonzert No. 2 f-Moll Op. 21, Larghetto 2nd mvt.

3976 WELTE-MIGNON CHOPIN – Piano Concerto No. 1, Op. 11, e 1st mvt.

3979 WELTE-MIGNON R. STRAUSS – Piano Sonata, Op. 5, b 1st and 2nd mvts.

3980 WELTE-MIGNON R. STRAUSS – Piano Sonata, Op. 5, b 3rd and 4th mvts.

LUBKA KOLESSA WELTE-MIGNON PIANO ROLLS CDR

4175 WELTE-MIGNON SCHUBERT – Scherzo No. 1, B; Impromptu, Op. 90, No. 2, Eb

4177 WELTE-MIGNON CHOPIN – Grande valse brillante, Op. 18, Eb

4178 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D

MICHAEL ZADORA WELTE-MIGNON PIANO ROLLS CDR

461 WELTE-MIGNON BACH-BUSONI – Toccata, C537

469 WELTE-MIGNON MACDOWELL – Hexentanz (Witches’ Dance) Op. 17, No. 2, b

470 WELTE-MIGNON CHOPIN – Preludes, Op. 28, Nos. 2, a; 4, e; 9, E; 13, F#; 22, g

532 WELTE-MIGNON J. STRAUSS, JR. – TAUSIG-You only live once – Valse-Caprice, Op. 167

537 WELTE-MIGNON BUSONI – Balletszene (Ballet Scene) No. 4, Op. 33, D

3658 WELTE-MIGNON LISZT – Weihnachtsbaum (Christmas Tree), Nos. 8 and 3

3665 WELTE-MIGNON A. RUBINSTEIN – Torch Dance of Brides of Kashmir fr “Feramors”

TELEMAQUE LAMBRINO WELTE-MIGNON PIANO ROLLS CDR

125 WELTE-MIGNON LISZT – “Paganini” Etude No. 3, g#: La Campanella

280 WELTE-MIGNON CHOPIN – Etude, Op. 10. No. 11, Eb

281 WELTE-MIGNON SCHUBERT-TAUSIG – Marche militaire, Op. 51, No. 1, D

282 WELTE-MIGNON CHOPIN – Etudes, Op. 25, No. 8, Db; No. 9, Gb “Butterfly”

284 WELTE-MIGNON BEETHOVEN – Piano Sonata, Op. 31, No. 3, Eb 3rd mvt.

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