Monday, July 27, 2026

KONSTANTIN IGUMNOV WELTE-MIGNON PIANO ROLLS CDR

 


KONSTANTIN NIKOLAYEVICH IGUMNOV (LEBEDYAN, TAMBOV GOVERNORATE, RUSSIAN EMPIRE, MAY 1 [O.S. APRIL 19], 1873 – MOSCOW, SOVIET UNION, MARCH 24, 1948)

 

 

 

 

Igumnov studied under Nikolai Zverev, and at Moscow Conservatory under Alexander Siloti and Pavel Pabst. He took theory and composition courses from Sergei Taneyev, Anton Arensky and Mikhail Ippolitov-Ivanov. In 1898-9 he was pianoforte teacher at the Tiflis music-school of the Russian Musical Society. From 1899 he was Professor at the Moscow Conservatory, where his life’s work was carried out. He recorded 6 pieces on piano roll for the Welte-Mignon reproducing piano in 1910. Among his many students were Arno Babajanian, Bolesław Kon, Naum Shtarkman, Elena Beckman-Shcherbina, Yakov Flier, Boris Berlin, Lev Oborin, Maria Grinberg, Andrzej Wasowski, Elena Laumenskienė, Ryszard Bakst, Tengiz Amirejibi, Anatoly Alexandrov, Bella Davidovich, Rosa Tamarkina, Issay Dobrowen, and Mariya Gambaryan. Igumnov was evacuated to Yerevan, Armenia during the first half of 1940s. During those years he was teaching at the local Conservatory, where his 70th anniversary was widely celebrated.

 

 

TRACKLIST

 

 

Konstantin Igumnov made 6 Welte-Mignon piano rolls

WELTE-MIGNON 2061 RACHMANINOFF – Prelude, Op. 23, No. 1, f#

WELTE-MIGNON 2062 RACHMANINOFF – Prelude, Op. 23, No. 6, Eb

WELTE-MIGNON 2063 SCRIABIN – Sonata-Fantasie, Op. 19, No. 2, g#

WELTE-MIGNON 2064 BRAHMS – Intermezzo, Op. 118, No. 6, eb


KÄTHE HEINEMANN WELTE-MIGNON PIANO ROLLS VOL. 2 CDR

 


KÄTHE HEINEMANN (SPANDAU, NOVEMBER 10, 1891 – BERLIN-SPANDAU, APRIL 7, 1975)

 

 

 

 

Heinemann was born to the composer Wilhelm Heinemann (1862-1952) in Spandau. She grew up in Berlin-Spandau in the “Heinemann House” named after her father at Behnitz 5 next to the Schleuse Spandau [de]. Her father was the founder of the Spandau Conservatory. Wilhelm Heinemann recognized his daughter’s talent at an early age and encouraged her musical education by teaching her intensively himself. Especially her technical skills were noticeable. At the age of ten she performed her first public concert; music critics gave her the nickname “Spandauer Wunderkind”. The composer and pianist Eugen d’Albert personally took over her further education, along with a few other teachers. From 1902 to at least 1904, she was taught at the Franz Liszt Academy in Berlin and Gotha by the Liszts’ student Martha Remmert (1853–1941). From the age of 14, Heinemann herself worked as a music pedagogue and music teacher for piano students. In 1915 she received a teaching position for piano at the Hüttner-Conservatory (Hüttner-Hochschule für Musik) in Dortmund; there she directed the master class, which was normally only taught by professors, for two years. “In 1925 she became a member of the examination board of the Berlin University of the Arts. Among her students was Hertha Klust, who, among others, accompanied Dietrich Fischer-Dieskau. From 1920 to 1933 Heinemann had great success as a concert pianist. She played as a soloist with, among others, the Berlin Philharmonic, the Gewandhausorchester Leipzig, the Gürzenich-Orchester Köln and the Vienna Philharmonic. She worked with conductors like Arthur Nikisch, Erich Kleiber, Carl Schuricht, Alfredo Casella and Karl Ristenpart. At the beginning of 1926 she played the solo part of the premiere of the Concerto for Piano and Orchestra (op. 72) by Paul Graener with the Philharmonic Orchestra of Hagen directed by Hans Weisbach. After the Second World War, she performed as soloist together with the Deutsches Symphonie-Orchester Berlin. (RSO) and the RIAS Chamber Orchestra. In January 1948 she played the Appassionata in F minor by Ludwig van Beethoven and the Revolutionsetüde by Frédéric Chopin; in addition, she accompanied the actor and singer Ernst Busch on the piano in four Russian songs. Heinemann gave concerts and taught until old age. She gave annual concerts for the population in her hometown of Spandau, as she did on 25 January 1935 in Koch’s Bismarck Halls. On her 80th birthday she played the Piano Concerto No. 4 by Ludwig van Beethoven with the Haydn Orchestra Berlin. Heinemann died in 1975 at the age of 84 in Spandau. She was buried at the cemetery In den Kisseln [de] in Berlin-Spandau. The burial place has been abandoned in the meantime. Heinemann was awarded the Order of Merit of the Federal Republic of Germany.

 


TRACKLIST


 

3839 GRIEG – Piano Concerto, Op. 16, a 2nd and 3rd mvts.

3842 KORNGOLD – Fairy Tales, Op. 3, Nos. 5, 6 and 7

3845 NIEMANN – Old China, Op. 62, Nos. 1-5

3853 THOMAS – Polonaise from the Opera “Mignon”


KÄTHE HEINEMANN WELTE-MIGNON PIANO ROLLS VOL. 1 CDR

 


KÄTHE HEINEMANN (SPANDAU, NOVEMBER 10, 1891 – BERLIN-SPANDAU, APRIL 7, 1975)

 

 

 

 

Heinemann was born to the composer Wilhelm Heinemann (1862-1952) in Spandau. She grew up in Berlin-Spandau in the “Heinemann House” named after her father at Behnitz 5 next to the Schleuse Spandau [de]. Her father was the founder of the Spandau Conservatory. Wilhelm Heinemann recognized his daughter’s talent at an early age and encouraged her musical education by teaching her intensively himself. Especially her technical skills were noticeable. At the age of ten she performed her first public concert; music critics gave her the nickname “Spandauer Wunderkind”. The composer and pianist Eugen d’Albert personally took over her further education, along with a few other teachers. From 1902 to at least 1904, she was taught at the Franz Liszt Academy in Berlin and Gotha by the Liszts’ student Martha Remmert (1853–1941). From the age of 14, Heinemann herself worked as a music pedagogue and music teacher for piano students. In 1915 she received a teaching position for piano at the Hüttner-Conservatory (Hüttner-Hochschule für Musik) in Dortmund; there she directed the master class, which was normally only taught by professors, for two years. “In 1925 she became a member of the examination board of the Berlin University of the Arts. Among her students was Hertha Klust, who, among others, accompanied Dietrich Fischer-Dieskau. From 1920 to 1933 Heinemann had great success as a concert pianist. She played as a soloist with, among others, the Berlin Philharmonic, the Gewandhausorchester Leipzig, the Gürzenich-Orchester Köln and the Vienna Philharmonic. She worked with conductors like Arthur Nikisch, Erich Kleiber, Carl Schuricht, Alfredo Casella and Karl Ristenpart. At the beginning of 1926 she played the solo part of the premiere of the Concerto for Piano and Orchestra (op. 72) by Paul Graener with the Philharmonic Orchestra of Hagen directed by Hans Weisbach. After the Second World War, she performed as soloist together with the Deutsches Symphonie-Orchester Berlin. (RSO) and the RIAS Chamber Orchestra. In January 1948 she played the Appassionata in F minor by Ludwig van Beethoven and the Revolutionsetüde by Frédéric Chopin; in addition, she accompanied the actor and singer Ernst Busch on the piano in four Russian songs. Heinemann gave concerts and taught until old age. She gave annual concerts for the population in her hometown of Spandau, as she did on 25 January 1935 in Koch’s Bismarck Halls. On her 80th birthday she played the Piano Concerto No. 4 by Ludwig van Beethoven with the Haydn Orchestra Berlin. Heinemann died in 1975 at the age of 84 in Spandau. She was buried at the cemetery In den Kisseln [de] in Berlin-Spandau. The burial place has been abandoned in the meantime. Heinemann was awarded the Order of Merit of the Federal Republic of Germany.

 

 

TRACKLIST


 

3849 SCHUBERT – Piano Sonata, Op. 42, a 1st and 2nd mvts.

3850 SCHUBERT – Piano Sonata, Op. 42, a 3rd and 4th mvts.

3851 CHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 1st mvt.

3852 TCHAIKOVSKY – Piano Concerto No. 1, Op. 23, b-b 2nd & 3rd mvts.


JOSEF LHÉVINNE WELTE-MIGNON PIANO ROLLS VOL. 2 CDR

 


JOSEF LHÉVINNE (DEC. 13, 1874, ORYOL, RUSSIA — DEC. 2, 1944, NEW YORK, N.Y., U.S.)

 


 

Joseph Arkadievich Levin (the name was altered in western Europe by a manager who thought “Lhévinne” more distinctive and less Jewish) was born into a Jewish family of musicians in Oryol south of Moscow. He studied at the Imperial Conservatory in Moscow under Vasily Safonov. He made his public debut at the age of 14 with Ludwig van Beethoven’s Emperor Concerto in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class that included both Sergei Rachmaninoff and Alexander Scriabin, winning the gold medal for piano in 1892. In 1895 Levin won the Second International Anton Rubinstein Competition held in Berlin, emerging as the favoured pianist in a group of thirty-three candidates with his performance of Rubinstein’s Piano Concerto No. 5 in E-flat major. In 1898 Levin married Rosina Bessie, a fellow Moscow Conservatory student, a pianist and winner of the gold medal for piano in her year. The two began to give concerts together, a practice that lasted until his death. Faced with anti-semitism and the political turbulence of the Russian Revolution, they moved to Berlin in 1907. There Lhévinne gained a reputation as one of the leading virtuosi and teachers of his day. They were declared enemy aliens at the outbreak of World War I and became trapped there. They had lost what money they had saved in Russian banks in the 1917 Revolution and were unable to perform in concerts due to the war. They endured years of hardship, surviving on the poor income from a handful of students. After the war they were at last free to leave Germany, and in 1919 emigrated to New York City in the United States. Lhévinne continued his concert career and also taught piano at the Juilliard School. Regarded as one of the supreme technicians of his day by virtually all of his more famous contemporaries (even Vladimir Horowitz admired his pianistic command), he never achieved their level of success with the public. He may have made his excellence look and sound too easy, but he also enjoyed teaching more than performing. He settled into a life of concert tours and teaching. Lhévinne spent time each summer starting in 1922, at Bonnie Oaks, relaxing from public life and sometimes teaching young musicians. Lhévinne wrote a short book in 1924 that is considered a classic: Basic Principles in Pianoforte Playing. Asked how to say his name, he told The Literary Digest it was lay-VEEN. He died suddenly from a heart attack in 1944 a few days short of his 70th birthday.

 

TRACKLIST

 

 

2434 WELTE-MIGNON BEETHOVEN-SAINT-SAENS – Chorus of Dervishes from “Ruins Athens

2435 WELTE-MIGNON MOSZKOWSKI – Dance Form Pieces, Op. 17, No. 2, G Menuett

2437 WELTE-MIGNON A. RUBINSTEIN – “Album de Peterhof”, Op. 79, No. 9, D Prelude

2438 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D

2439 WELTE-MIGNON WEBER – Piano Sonata No. 1, Op. 24, C 4th mvt. “Perpetual Motion”

2440 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 12, c “Arpeggios”

2441 WELTE-MIGNON MEYERBEER-LISZT – Fantasie on Themes from Opera “Robert le Diable”

4060 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part Two

4061 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part One

2436 WELTE-MIGNON A. RUBINSTEIN – Barcarolle No. 6, Op. 104, No. 4, c


JOSEF LHÉVINNE WELTE-MIGNON PIANO ROLLS VOL. 1 CDR

 


JOSEF LHÉVINNE (DEC. 13, 1874, ORYOL, RUSSIA — DEC. 2, 1944, NEW YORK, N.Y., U.S.)

 

 

 

Joseph Arkadievich Levin (the name was altered in western Europe by a manager who thought “Lhévinne” more distinctive and less Jewish) was born into a Jewish family of musicians in Oryol south of Moscow. He studied at the Imperial Conservatory in Moscow under Vasily Safonov. He made his public debut at the age of 14 with Ludwig van Beethoven’s Emperor Concerto in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class that included both Sergei Rachmaninoff and Alexander Scriabin, winning the gold medal for piano in 1892. In 1895 Levin won the Second International Anton Rubinstein Competition held in Berlin, emerging as the favoured pianist in a group of thirty-three candidates with his performance of Rubinstein’s Piano Concerto No. 5 in E-flat major. In 1898 Levin married Rosina Bessie, a fellow Moscow Conservatory student, a pianist and winner of the gold medal for piano in her year. The two began to give concerts together, a practice that lasted until his death. Faced with anti-semitism and the political turbulence of the Russian Revolution, they moved to Berlin in 1907. There Lhévinne gained a reputation as one of the leading virtuosi and teachers of his day. They were declared enemy aliens at the outbreak of World War I and became trapped there. They had lost what money they had saved in Russian banks in the 1917 Revolution and were unable to perform in concerts due to the war. They endured years of hardship, surviving on the poor income from a handful of students. After the war they were at last free to leave Germany, and in 1919 emigrated to New York City in the United States. Lhévinne continued his concert career and also taught piano at the Juilliard School. Regarded as one of the supreme technicians of his day by virtually all of his more famous contemporaries (even Vladimir Horowitz admired his pianistic command), he never achieved their level of success with the public. He may have made his excellence look and sound too easy, but he also enjoyed teaching more than performing. He settled into a life of concert tours and teaching. Lhévinne spent time each summer starting in 1922, at Bonnie Oaks, relaxing from public life and sometimes teaching young musicians. Lhévinne wrote a short book in 1924 that is considered a classic: Basic Principles in Pianoforte Playing. Asked how to say his name, he told The Literary Digest it was lay-VEEN. He died suddenly from a heart attack in 1944 a few days short of his 70th birthday.


 

TRACKLIST

 

 

2434 WELTE-MIGNON BEETHOVEN-SAINT-SAENS – Chorus of Dervishes from “Ruins Athens

2435 WELTE-MIGNON MOSZKOWSKI – Dance Form Pieces, Op. 17, No. 2, G Menuett

2437 WELTE-MIGNON A. RUBINSTEIN – “Album de Peterhof”, Op. 79, No. 9, D Prelude

2438 WELTE-MIGNON CHOPIN – Mazurka, Op. 33, No. 2, D

2439 WELTE-MIGNON WEBER – Piano Sonata No. 1, Op. 24, C 4th mvt. “Perpetual Motion”

2440 WELTE-MIGNON CHOPIN – Etude, Op. 25, No. 12, c “Arpeggios”

2441 WELTE-MIGNON MEYERBEER-LISZT – Fantasie on Themes from Opera “Robert le Diable”

4060 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part Two

4061 WELTE-MIGNON SCHUMANN – Symphonic Etudes, Op. 13, Part One

2436 WELTE-MIGNON A. RUBINSTEIN – Barcarolle No. 6, Op. 104, No. 4, c


HERBERT FRYER WELTE-MIGNON PIANO ROLLS CDR

 


GEORGE HERBERT FRYER (LONDON, 21 MAY, 1877 – LONDON, 7 FEBRUARY, 1957)

 

 

 

 

Fryer was born in Hampstead, London in 1877, the only son of three children. His father George Henry Fryer was an insurance broker. He was educated at Merchant Taylors’ School, then went on for two years study (1893–95) under Oscar Beringer at the Royal Academy of Music (RAM). In 1894, Fryer won the Heathcote Long Prize. This was followed by four years of study (1895–1898) at the Royal College of Music (RCM), under Franklin Taylor. In 1898, Fryer had some lessons with Ferruccio Busoni in Weimar. He also studied with Tobias Matthay. He made his London debut on 17 November 1898, and then commenced a career as a touring recitalist as well as an examiner for the Associated Board of the Royal Schools of Music. These tours took him all over Britain and Europe, and also to many parts of Canada, the United States, Australia (including the goldfields of Western Australia) South Africa, the Far East, and India. He was also a competition adjudicator. He was said to have travelled more than any other British pianist. He gave 50 recitals in London alone, said to have been a record. The King of Norway attended his recital in Christiania. He played at the Proms on six occasions between 1901 and 1918, playing such works as Mozart’s Piano Concerto No. 24, Beethoven’s Piano Concerto No. 3, Tchaikovsky’s Piano Concerto No. 1 and Concert Fantasia, and Brahms’ Piano Concerto No. 2. His knowledge of the Brahms concerto was informed by the fact that his teacher Oscar Beringer had given the British premiere of the work in 1882. In 1905, he took up a teaching position at the RAM, where he continued until 1914. His first tour of North America came in 1914, and he stayed there for three years, teaching at the Institute of Musical Art in New York (later merged with the Juilliard School). On his return to Britain in 1917, he was appointed Professor of Piano at the Royal College of Music, remaining in that post for the next 30 years, until 1947. Fryer’s list of pupils was impressive. They included Arthur Bliss, Lance Dossor, Colin Horsley, Constant Lambert, Harold Rutland, Cyril Smith and Kendall Taylor.[16] On retirement, he continued teaching privately above Blüthner’s showrooms, and died in London in 1957, aged 79. Fritz Fryer (1944–2007), lead guitarist of the British pop group The Four Pennies, was his grandson.

 

 

TRACKLIST

 

1324 DVORAK – Humoresque, Op. 101, No. 7, Gb

1326 BEETHOVEN – Menuett, Eb

1327 BRAHMS – Intermezzo, Op. 118, No. 2, A

1328 CHOPIN- Preludes, Op. 28, No. 6, b; No. 11, B

1575, 1574 MACDOWELL – “Sea Pieces”, Op. 55, Nos. 4 Starlight; 5 Song “Sea Pieces”, Op. 55, #2 From Wandering Iceberg; 3 A.D.

1576 MACDOWELL – “Sea Pieces”, Op. 55, Nos. 6 From the Depths; 1 To the Sea

1578 MACDOWELL – To a Wild Rose; To a Water Lily, Op. 51, Nos. 1 & 6

1579 MACDOWELL – In Deep Woods; Indian Idyll, Op. 62, Nos. 5 & 6

1582 BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 1st & 2nd mvts.

1583 BEETHOVEN – Piano Sonata, Op. 2, No. 1, f 3rd & 4th mvts.

1586 MOZART – Eine kleine Gigue, K. 574, G

1587 DEBUSSY – “Children’s Corner” Little Shepherd; Serenade for the Doll


HANS HAASS WELTE-MIGNON PIANO ROLLS VOL. 2 CDR

 


HANS HAASS (COLOGNE, SEPTEMBER 15, 1897 – MARIENHEIDE, NEAR COLOGNE, SEPTEMBER 22, 1955)

 

 

 

 

He studies at the Cologne Conservatory with Carl Friedberg (piano) and Franz Bölsche (composition). In 1916 he won the Ibach Prize. Since 1918 he was the head of a training class at the Krefeld Conservatory. Here he worked also as pianist and composer. In 1925 he became the recording manager of the Welte-Mignon company in Freiburg. For this company he also recorded piano rolls. In 1932 he worked as pianist at the Reichssender in Cologne. From 1938 he taught at the Cologne Music Academy. One of his students was Bernd Alois Zimmermann. In 1947 he became a Professor at the Music Academy in Detmold.

 

 

TRACKLIST

 

 

3801 WELTE-MIGNON F. COUPERIN – La precieuse (The Beloved One)

3802 WELTE-MIGNON F. COUPERIN – Chanson Louis XVIII; Pavane

3991 WELTE-MIGNON KORNGOLD – Pierrot’s Dance Song from the Opera “Die Tote Stadt” (Dead City)

3994 WELTE-MIGNON VON SUPPE – Overture to the Operetta “Die schöne Galathea”

4028 WELTE-MIGNON GOMEZ – Fantasie on Themes from the Opera “Il Guarany”as Hans Häuser

4171 WELTE-MIGNON FREITAS-BRANCO – ”Tres Pecas”No. 2  Preludio (Prelude) as Hans Häuser

4172 WELTE-MIGNON FREITAS-BRANCO – Aquella Moca as Hans Häuser

4173 WELTE-MIGNON D’OLIVERA – Fado Sepulveda as Hans Häuser

5667 WELTE-MIGNON BERLIN – All alone Waltz

5728 WELTE-MIGNON FALL – Was machst du mit dem Knie, lieber Hans  paso doble