KÄTHE HEINEMANN (SPANDAU, NOVEMBER 10, 1891 –
BERLIN-SPANDAU, APRIL 7, 1975)
Heinemann was born to the
composer Wilhelm Heinemann (1862-1952) in Spandau. She grew up in
Berlin-Spandau in the “Heinemann House” named after her father at Behnitz 5
next to the Schleuse Spandau [de]. Her father was the founder of the Spandau
Conservatory. Wilhelm Heinemann recognized his daughter’s talent at an early
age and encouraged her musical education by teaching her intensively himself.
Especially her technical skills were noticeable. At the age of ten she
performed her first public concert; music critics gave her the nickname
“Spandauer Wunderkind”. The composer and pianist Eugen d’Albert personally took
over her further education, along with a few other teachers. From 1902 to at
least 1904, she was taught at the Franz Liszt Academy in Berlin and Gotha by
the Liszts’ student Martha Remmert (1853–1941). From the age of 14, Heinemann
herself worked as a music pedagogue and music teacher for piano students. In
1915 she received a teaching position for piano at the Hüttner-Conservatory
(Hüttner-Hochschule für Musik) in Dortmund; there she directed the master
class, which was normally only taught by professors, for two years. “In 1925
she became a member of the examination board of the Berlin University of the
Arts. Among her students was Hertha Klust, who, among others, accompanied
Dietrich Fischer-Dieskau. From 1920 to 1933 Heinemann had great success as a
concert pianist. She played as a soloist with, among others, the Berlin
Philharmonic, the Gewandhausorchester Leipzig, the Gürzenich-Orchester Köln and
the Vienna Philharmonic. She worked with conductors like Arthur Nikisch, Erich
Kleiber, Carl Schuricht, Alfredo Casella and Karl Ristenpart. At the beginning
of 1926 she played the solo part of the premiere of the Concerto for Piano and
Orchestra (op. 72) by Paul Graener with the Philharmonic Orchestra of Hagen
directed by Hans Weisbach. After the Second World War, she performed as soloist
together with the Deutsches Symphonie-Orchester Berlin. (RSO) and the RIAS
Chamber Orchestra. In January 1948 she played the Appassionata in F minor by
Ludwig van Beethoven and the Revolutionsetüde by Frédéric Chopin; in addition,
she accompanied the actor and singer Ernst Busch on the piano in four Russian
songs. Heinemann gave concerts and taught until old age. She gave annual
concerts for the population in her hometown of Spandau, as she did on 25
January 1935 in Koch’s Bismarck Halls. On her 80th birthday she played the
Piano Concerto No. 4 by Ludwig van Beethoven with the Haydn Orchestra Berlin.
Heinemann died in 1975 at the age of 84 in Spandau. She was buried at the
cemetery In den Kisseln [de] in Berlin-Spandau. The burial place has been
abandoned in the meantime. Heinemann was awarded the Order of Merit of the
Federal Republic of Germany.
TRACKLIST
3839 GRIEG – Piano Concerto,
Op. 16, a 2nd and 3rd mvts.
3842 KORNGOLD – Fairy Tales,
Op. 3, Nos. 5, 6 and 7
3845 NIEMANN – Old China, Op.
62, Nos. 1-5
3853
THOMAS – Polonaise from the Opera “Mignon”

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