RICHARD MORITZ BUHLIG (CHICAGO,
ILLINOIS, DECEMBER 21, 1880 – LOS ANGELES, CALIFORNIA, JANUARY 30, 1952)
Buhlig was
born in Chicago to a German immigrant father from Saxony, the baker Moritz
Buhlig, and his wife Louise. He received early lessons from August Hyllested,
Wilhelm Middelschulte and Margaret Cameron, who had studied with the legendary
Teodor Leszetycki. In 1897, 16-year-old Buhlig moved to Vienna to study with
Teodor Leszetycki himself. Upon completing his studies in 1900, he gave his
first public concert in 1901 in Berlin, and toured extensively in Europe until
late 1906. He lived in Berlin until May 1916, where he tutored pupils
privately, among others Grete Sultan and Grete Trakl, the sister of the
Austrian poet Georg Trakl. In 1907 Buhlig made his first mature American debut,
with the Philadelphia Orchestra in New York City. In 1918 Buhlig joined the
staff of the Juilliard School (then called “Institute of Musical Art”) in New
York as a piano teacher: he gave recitals of Beethoven, Brahms, Chopin,
Schubert and Schumann (with emphasis on Beethoven). However, he soon left the
position and went to Europe again. Some years later he returned to the US and
settled in Los Angeles, dividing his time between teaching and performing. He
died in Los Angeles. As a pianist, Buhlig was highly regarded for his
performances of Bach (particularly the two piano transcription of The Art of
Fugue he made and performed), late Beethoven and Brahms. However, much of his
repertoire was contemporary or near-contemporary music. He gave the American
premiere of Arnold Schoenberg’s Op. 11 and performed pieces by other European
modernists such as Ferruccio Busoni, Béla Bartók, Zoltán Kodály and Claude
Debussy. He also played music by new composers: Ruth Crawford and Adolf Weiss
among others. In the 1920s he began playing Henry Cowell (whom he also taught)
and his circle. In early 1930s Buhlig tutored John Cage: it was he who advised
Cage to study with Schoenberg. The German pianist Grete Sultan, mentor to
Christian Wolff and friend to Cage (whom she had met in 1946 through Buhlig),
had studied under Buhlig in early 1900s – they became lifelong friends.
TRACKLIST
5153 AMPICO
LISZT – Sonetto del Petrarca 104 (Anneés de Pèlerinage – 2nd Year, No. 5)
5171 AMPICO
CHOPIN – Nocturne, Op. 27, No. 2, Db
5179 AMPICO
GLINKA-BALAKIREV – The Lark (L’Alouette)
5152 AMPICO LISZT – Valse oubliée (Forgotten Waltz) No. l

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