RICHARD MORITZ BUHLIG (CHICAGO,
ILLINOIS, DECEMBER 21, 1880 – LOS ANGELES, CALIFORNIA, JANUARY 30, 1952)
Buhlig was
born in Chicago to a German immigrant father from Saxony, the baker Moritz
Buhlig, and his wife Louise. He received early lessons from August Hyllested,
Wilhelm Middelschulte and Margaret Cameron, who had studied with the legendary
Teodor Leszetycki. In 1897, 16-year-old Buhlig moved to Vienna to study with
Teodor Leszetycki himself. Upon completing his studies in 1900, he gave his
first public concert in 1901 in Berlin, and toured extensively in Europe until
late 1906. He lived in Berlin until May 1916, where he tutored pupils
privately, among others Grete Sultan and Grete Trakl, the sister of the
Austrian poet Georg Trakl. In 1907 Buhlig made his first mature American debut,
with the Philadelphia Orchestra in New York City. In 1918 Buhlig joined the
staff of the Juilliard School (then called “Institute of Musical Art”) in New York
as a piano teacher: he gave recitals of Beethoven, Brahms, Chopin, Schubert and
Schumann (with emphasis on Beethoven). However, he soon left the position and
went to Europe again. Some years later he returned to the US and settled in Los
Angeles, dividing his time between teaching and performing. He died in Los
Angeles. As a pianist, Buhlig was highly regarded for his performances of Bach
(particularly the two piano transcription of The Art of Fugue he made and
performed), late Beethoven and Brahms. However, much of his repertoire was
contemporary or near-contemporary music. He gave the American premiere of
Arnold Schoenberg’s Op. 11 and performed pieces by other European modernists
such as Ferruccio Busoni, Béla Bartók, Zoltán Kodály and Claude Debussy. He
also played music by new composers: Ruth Crawford and Adolf Weiss among others.
In the 1920s he began playing Henry Cowell (whom he also taught) and his
circle. In early 1930s Buhlig tutored John Cage: it was he who advised Cage to
study with Schoenberg. The German pianist Grete Sultan, mentor to Christian
Wolff and friend to Cage (whom she had met in 1946 through Buhlig), had studied
under Buhlig in early 1900s – they became lifelong friends.
TRACKLIST
1761 SCHUBERT
– Piano Sonata, Bb, D. 960 1st mvt. (Posthumous)
1762 SCHUBERT
– Piano Sonata, Bb, D. 960 2nd mvt. (Posthumous)
1763 SCHUBERT
– Piano Sonata, Bb, D. 960 3rd mvt. (Posthumous)
1765
WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 3 Poissons d’or (Goldfish)
1766
WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 2: Et la lune descend sur temple
/ fut
1767
WELTE-MIGNON DEBUSSY – Images, 1st Series, No.1 Reflets dans l’eau (Reflections
Water)
1768
WELTE-MIGNON DEBUSSY – Images, lst Series, No. 2: Hommage à Rameau (Tribute)
1769
WELTE-MIGNON DEBUSSY – Images, 2nd Series, No. 1 Cloches a travers les feuilles

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